A Quote by N. T. Wright
I'm fortunate in that I've grown up in a worshipping tradition which is quite rich musically (and music is very important to me) and has a wonderful resource of hymns from all sorts of different parts of the Church... and to go to church and be able to sing that stuff and listen to a Bach motet or indeed some charismatic choruses.
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I grew up in the church, with traditional hymns, but at the same time I was beginning to listen to pop music, the mid-60s, The Beatles, which had just as much influence on me as those hymns did. Then the hippy stuff like Pink Floyd started to raise questions about how I lived my life and the world in which I lived.
Some of the stuff I'm writing is almost like hymns, some of my first singing and choral experiences were in church, the Church of Christ in Hicksville.
And different traditions stress different - so then there's that. I talked to an African American who says before she goes into an interracial church, she sits in her car and she listens to gospel music to get her fill, and she goes into an interracial church where they don't do gospel music, and she's ready to accept the other sorts of ways of worshipping. So there's that.
Everyone related to me in my circle was from church: church friends, church school, church activities. All my friends weren't allowed to watch MTV or go to PG-13 movies or listen to the radio, so I didn't really know anything different. That's how I was raised.
My whole childhood was church. But as an adult, I've grown to understand my relationship with God versus how I sing. People in church are like, 'You sing the devil's music,' but I believe in balance. I can't just party with you. I got to help you, too.
I think it's so important that the church displays what it can look like to be "one." Our society can be so fragmented, and there's an opportunity for the worshipping church to give some leadership into that area.
I always loved music. I liked to go to church because I liked to sing the hymns.
I call this my church house trilogy. Souls' Chapel really was music from the Mississippi Delta, which to me is a church within itself. The Delta is the church of American Roots music. The Badlands is a cathedral without a top on it. And the Ryman has been called the Mother Church of Country Music, but to me it's the Mother Church of American Music. If you can think it up, it's been done there. In my mind, this is kind of a spiritual odyssey as much as anything else, and I had the settings of three churches to make it in.
There's a massive community in church. You have a real home. You can move to different parts of the world and you'll always find a church and a community. When you let go of church, you don't have that comfort, you don't have that safety net anymore.
The short-term impact is that people are encouraged to give the Church another look. It's up to the liveliest parts of the Church - the dynamically orthodox parts of the Church - to seize that opportunity.
One of the things my mom used to do - I don't know why she chose me, but she chose me out of her six children to take to the African-American church that was in the town that we lived in Springfield, Missouri. And we would go to the church, and we would sit in the back row, and we would listen to all of the spirituals in the hymns.
When I was growing up, I grew up in church--my father was a pastor--so when I was growing up in Trinidad, I'd close all the windows in the church and go in the church every day after school and get a little microphone and pretend all these people were in the pews, and I would sing to them.
My little brother and grandma told me I could sing. I used to sing in church, too. Not like in the choir or anything, but for people around the church... on the church bus going home and Christmas plays.
I had five brothers and sisters. Four of them older, and some of them played instruments, and we would get together and have family recitals and raise money for the church. I belonged to a wonderful church community that encouraged me to sing.
I listen to Bach a great deal. In general I like to listen to hymns and liturgical music.
Growing up in a house where there was a lot of different musical influences - my mom listens to soul stuff and Top 40, my sisters would listen to hip-hop - and the church, I grew up listening to a lot of gospel stuff. So I think that plays a role in how I make music now because my music has a lot of range. I don't just do one thing.
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