A Quote by N. T. Wright
I guess, as an Anglican, there's always room to move, which can be a dangerous thing, but also a very healthy thing, because bits of the great biblical tradition which you haven't fully plugged into before you've got the space to grow into... not least, the sacraments.
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The good thing is that with all the projects that I didn't get, I understood that competition is not always negative, it's very healthy. It's also something that inspires you to grow, it creates room and creates space for improvement.
I'm very eclectic, musically as in other things! But also to frame the hearing and knowing of Scripture within a context of worship, which is what Anglican liturgy does, just seems to me such a very complete and compelling thing.
Also with that money comes the idea, "Let your imagination run wild." Which I think is a very dangerous thing. I think it's dangerous because you can get into pretty wacky territory. There are things that are too crazy.
Surgery is a complicated thing to talk about, but I guess it could also be a dangerous thing to play with if you're not very secure about what you're doing.
For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before – the succession and superimposition of views, the unfolding of landscape in flickering surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from the horse. It compressed more motifs into the same time. Conversely, it left less time in which to dwell on any one thing.
I think recreations are a good thing if done right because it can be very dangerous also. If you do something which goes wrong, then people probably won't like it because they are attached to that old version of the song... So, recreations can be a little tricky.
[John Calvin's] treatment of the person and work of Christ, of the Holy Spirit in the life of the believer, of prayer and liturgy, of the sacraments, and of the way in which we have an in-built sense of the divine that we suppress to our great sorrow - these are all immense contributions to Christian thought. The same could be said of his commentaries, which are still regularly consulted by biblical critics today.
Substances like LSD, which give away a secret about the nature of the social game - the human game and what underlies it - are potentially dangerous, of course, like any good thing is. Electricity is dangerous, fire is dangerous, cars are dangerous, planes are dangerous, but not so dangerous as driving on the freeway. The only way to handle danger is to face it. If you start getting frightened of it, then you make it worse. Because you project onto it all kinds of bogeys and threats which don't exist in it at all.
In sport you always think the strongest guy should be going for it and getting the best results. The thing is, cycling also has a very important team aspect, which I don't think that a lot of people fully grasp.
In 2009 I went up on the space shuttle. I was in space for 16 days and docked at the space station for 11 days. The entire crew did five space walks, of which I was involved with three of them. When you're doing a space walk, you always have a buddy with you. It's a very dangerous environment when you're doing a space walk.
It turns out we are all quite easily swayed if someone knows what they are doing - which is a great thing and a dangerous thing.
As regards my own 'philosophy,' I continue to be inspired by the music, liturgy and architectural tradition of the Anglican Church in which I was brought up. No one can fail to be uplifted by great cathedrals - such as that at Ely, near my home in Cambridge.
You sort of get so lulled into thinking of yourself as this five-headed thing, the group, the band, The Hip. I guess you just forget it's a family, and like every good family, you can forget. But you're also committed to each other, so there's always room to grow, to learn and relearn.
I was singing before I acted, but I was also attracted to drama, and, y'know, I got successful at that, which isn't a bad thing.
In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative, I loved the writing, I loved the making of it. Because I guess, I never had the giant blockbuster, I never got that sort of ease for the next one. So the next one was always, "how am I going to do this?" And that thing was sort of always the thing that made me a little chickenshit to go into the next one. The writing of it was great and the making of it was great, but how am I going to release this thing and am I going to find a studio?
Even if I was really prolific - which I'm not - I think I'd always put at least a couple of covers on my record. I think it's a sort of healthy thing to do. It shows that you're not totally self-obsessed.
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