A Quote by Nadeem Aslam

As a writer, my homeland is the desk where I work. — © Nadeem Aslam
As a writer, my homeland is the desk where I work.

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I used to be a writer with superstitions worthy of a professional baseball player: I needed a certain desk chair and a certain armchair and a certain desk arrangement, and I could only get really useful work done between 8 P.M. and 3 A.M. Then I started to move, and I couldn't bring my chairs with me.
But the writer who endures and keeps working will finally know that writing the book was something hard and glorious, for at the desk a writer must try to be free of prejudice, meanness of spirit, pettiness, and hatred; strive to be a better human being than the writer normally is, and to do this through concentration on a single word, and then another, and another. This is splendid work, as worthy and demanding as any, and the will and resilience to do it are good for the writer's soul.
Get up from your desk and wander outside occasionally. To be a good writer one needs to be a good observer, and there isn't a lot to be observed at desk level.
After you publish a book, you become a writer and you're supposed to take it very seriously. You're supposed to show up at your desk - although frankly, I don't have a desk, I write in bed - you're supposed to show up at your bed and produce work. I think it's a little bit like work. I like to have fun with it, do things like make silly book trailers. I don't want to take this too seriously.
I'm a freelance writer, and I work alone at a big desk in the living room of my apartment. There are many days when I don't utter a single word to anyone but my husband.
There was a sergeant at a desk. I knew he was a sergeant because I recognized the marks on his uniform, and I knew it was a desk because it's always a desk. There's always someone at a desk, except when it's a table that functions as a desk. You sit behind a desk, and everyone knows you're supposed to be there, and that you're doing something that involves your brain. It's an odd, special kind of importance. I think everyone should get a desk; you can sit behind it when you feel like you don't matter.
My father was the editor of an agricultural magazine called 'The Southern Planter.' He didn't think of himself as a writer. He was a scientist, an agronomist, but I thought of him as a writer because I'd seen him working at his desk. I just assumed that I was going to do that, that I was going to be a writer.
The writer has to force himself to work. He has to make his own hours and if he doesn't go to his desk at all there is nobody to scold him.
The strange dilemma of the 'ethnic-fiction' writer is that you are supposed to carry a banner for your homeland, be a voice for it, and educate the rest of the world about it, but I think that's far too onerous a burden for any writer to bear.
In a mood of faith and hope my work goes on. A ream of fresh paper lies on my desk waiting for the next book. I am a writer and I take up my pen to write.
It is sweet and right to die for the homeland, but it is sweeter to live for the homeland, and the sweetest to drink for it. Therefore, let us drink to the health of the homeland.
There was a day where I was sitting at my desk, working 90-hour work weeks, in a suit, looking at a computer, with all these pitch books on my desk, and I just thought, "This can't be my life..."
There was a day where I was sitting at my desk, working 90-hour work weeks, in a suit, looking at a computer, with all these pitch books on my desk, and I just thought, 'This can't be my life.'
With Gargoyles, I didn't want to walk away. I liked the idea too much, I was too passionate about it and so I went to my bosses and said, "Guys, I want to produce this show." Their initial response, lets call it dubious, but they let me give it a shot and sort of the rest is history. I moved from one side of the desk to the other side of the desk, and became a full time writer which had always been the goal, but I came about getting the actual work in a sort of roundabout way.
David Corbett's The Art of Character offers a deep inquiry into the creation of character for the novice writer, with valuable nuggets of wisdom for the seasoned storyteller. If you are a writer, it should be on your desk.
You can know a person by the kind of desk he keeps. If the president of a company has a clean desk then it must be the executive vice president who is doing all the work.
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