Finally I almost dropped gymnastics because I couldn't live without create, and you know, and then, all public in the world start to say, we don't want to see gymnastics without OLGA.
My daughter, she loves gymnastics. I take her to gymnastics and watch her compete. It's fun to see something you have rub off on your kids. My son, as much as I love to get away from the game, he really does love basketball. He just wants to shoot on this little hoop I got him. It's just awesome to see them smile all the time.
Because up to sixteen years old you feel gymnastics more. You can show your emotion, grace, like woman gymnastics, not kid's gymnastics. I feel I have good shape, and I can do it elements everything, but, it's not competition for me.
I definitely want to put my kids in gymnastics at an early age, whether that's what they want to or not. Gymnastics just builds such a great fundamental strength at a young age, and they get great; they learn how to move with their body. I think that can translate to any sport later in life.
At the end of the day, you just want to be yourself because people can see when you're not.
It is fine to be all focused on gymnastics if that is what you want to do, but once you are finished with gymnastics, what are you going to do?
It's interesting to go places and see that, at the end of the day, people just want to feel safe, and what that looks like to them varies... but that was encouraging to see that there is more common ground than perhaps I realized.
In the end, there's more than just gymnastics.
When it comes to gymnastics, you can be 30 points ahead going into that competition, but on that day, it's all about luck. It's about who has a good day, who stays healthy, it's how happy the judges are that day, there are so many different factors.
At the end of the day, I just do my job. I love my art. But I genuinely want to change the world. I'm very generous, and I really want people to see that I am - that's really it.
I'm trying to avoid any more asshole roles, at least for a little bit. The main criteria for me when choosing a project is a good director. I just want to work with these guys that I admire because I do want to direct my own films one day, and I want to pick their brains to see what their process is like, and see what I can take from that.
And that's what people want to see when they go to the theater. I believe at the end of the day, they want to see themselves - parts of their lives they can recognize. And I feel if I can achieve that, it's pretty spectacular.
He likes a day in the studio to end, he says, "when my knees are all skinned up and my pants are wet and my hair's off to one side and I feel like I've been in the foxhole all day. I don't think comfort is good for music. It's good to come out with skinned knuckles after wrestling with something you can't see. I like it when you come home at the end of the day from recording and someone says, "What happened to your hand?" And you don't even know. When you're in that place, you can dance on a broken ankle.
Sometimes I'm happy - you can tell via Twitter. Sometimes I'm pissed off - you can tell via Twitter. I just think, at the end of the day, I don't want them to see me as a celebrity; I just want them to see me and say, 'He's like a regular person at his job right now who's mad.'
At the end of the day, the last thing I want to do is - well, anything. I just want to sleep. I crash out hard every day at 'Common Law.' I definitely lost a couple years of my life just on the fatigue factor on the first season.
That's what I want to do with my life. Be a good person when all the lights are off. When everybody doesn't need to see you, shine and know that you know you did the right thing at the end of the day.