A Quote by Nadia Comaneci

At some particular time, when I was 14 years old, I've done something that people didn't expect. — © Nadia Comaneci
At some particular time, when I was 14 years old, I've done something that people didn't expect.
When I see myself at 14 years old I can put my hands on my head and think: 'How could I have done that?' but at that time it had sense for me. You do the same when you're 20. And now, when you look at people who are 20 years old you ask yourself: 'Was I like that? Was I really like that?'
I think people like to think I'm in some way financially dependent on my family - on my dad - but the fact of the matter is I've been emancipated from my father since I was 14 years old. That's something people don't know or understand.
Serena and I have done some great career planning, and we're playing really at the peak of our tennis right now. I think tennis has been a sport where people play this insane schedule from 14 years old, so of course at 26, it's over. We've really paced ourselves.
You can go back and rescind an old regulation like Obama era regulations. That was done once in 20 years. We've done 14 of them in law this year alone, because they can't filibuster that.
When you get into the entertainment business, you have to grow up a lot faster, because you're working nine and a half hours a day. I've learned time management at 14-years-old, and I've learned how to do all these different things that some people don't learn until they're in their 20s and 30s.
I was 14 years old when my dad went into rehab, and he stayed there for a long time - I don't know, 10 or 12 years maybe. He first was there as a resident, as someone trying to get sober, and it took a long time; and then he stayed on helping people get their GED.
I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music.
I'm into old-time music, I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like.
I heard of Martin Luther King Jr. when I was 15 years old. I heard of Rosa Parks. And I met Dr. King in 1958 at the age of 18. I met Rosa Parks ... But to pick up a fun comic book - some people used to call them "funny books" - to pick this little book up, it sold for 10 cents, 12 pages or 14 pages? 14 pages I digested. And it inspired me. And I said to myself, "If the people of Montgomery can do this, maybe I can do something. Maybe I can make a contribution."
Well, I have an idea, usually a visual image of some sort. A setting. A particular, I don't know, urban scene, a particular time of day. Something that grips my imagination for some reason.
I don't expect everyone to get something deep out of it. Some people can just listen to the music, or get their aggressions out, but I think with any great painting or movie, album or whatever it is, it's better if people can take what they need from it. That they're not forced to get some particular message.
I'd done two years' worth of extra work, and all my friends who I would go on auditions with went to school for acting. These were kids who knew when they were 14 years old that this was what they wanted to do with their lives, and they prepared for it, and they're getting canned at every audition.
The first time I visited Jaipur was during a school trip, when I was 14 years old.
The movies I made when I was 14 or 15, I have a hard time looking at those. Those were the awkward years. I don't know if anybody can look at something they did when they were 14 and not wince.
My highest compliment is when someone comes up to me to say, "My 14-year-old daughter, or my 12-year-old son read your book and loved it." I cannot conceive of a greater compliment than that - to write something that as an adult I find satisfying, but also that manages to reach a curious 13- or 14-year-old.
The first album, I'd had some input, but I was 14 years old then, and I really didn't know what I was talking about.
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