A Quote by Nadia Comaneci

I ended up in the US for a month or so, before moving to Montreal with some Romanian friends. — © Nadia Comaneci
I ended up in the US for a month or so, before moving to Montreal with some Romanian friends.
A month before I booked 'This Is Us,' I was like, 'Maybe I should move to Montreal and work in a coffee shop.'
On the other hand, Surrealism has been a part of Romanian literature since forever. Even before Tzara, who was originally Romanian, we had Urmuz, who was a surrealist before the term even existed. During Breton's era too, there was a very active Romanian Surrealist group (Ghérasim Luca, Gellu Naum, etc.) closely related to the French. They had to quit their activities as soon as the Soviet communists took over.
I felt (a) it was a great role and (b) I wanted to stay in town. I wanted to stop going to these four month and five month gigs up in Toronto or Montreal or Vancouver or down in Mexico. I wanted to be around my son, Max. This came along and I was like, 'I really want to play this guy!'
We need new friends; some of us are cannibals who have eaten their old friends up; others must have ever-renewed audiences before whom to re-enact the ideal version of their lives.
Seine et Danube was launched in 2003 with the help of Romanian authorities who had finally realized the necessity of promoting literature and Romanian culture in general. Along with focusing on the literature of the countries the Danube traversed (with an emphasis on Romania), we printed work that interested us from the banks of the Seine: French and French-Romanian authors like Cioran and Fondane. We dedicated our last edition to surrealism and Esthetic Onirisme.
I had a lot of friends who were also football players. Some of them ended up in prison, some of them had injuries. I think of my group of friends, I am the only one who is a professional footballer.
My first pay cheque was when I was a security guard in a Benetton showroom, which was Rs 900. I took all my security guard friends for a treat to eat Chinese food and ended up spending my entire salary in just three days, leaving me with no choice but to rely on my friends for food for the entire month.
That cowboy had heartbreak written all over him and she'd be damned if she knew why every time he blew into town she ended up naked before he ended up gone. Reed always ended up gone.
It was a whole different world, and Montreal was an absolutely beautiful setting unlike anywhere I'd ever been before. So, Montreal in '76 was an encompassing experience I will cherish for the rest of my life.
Black History Month should be celebrated everyday. It's a month that's kind of sad to me, because I am reminded of the struggles that people before us had to go through for us to be able to live comfortably today.
It's true that in Romanian I feel more relaxed, as if I'm wearing slippers...but I came to this decision primarily for other reasons: I had only published three collections of texts in Romania. Even before my exile I was prohibited from publishing, I was ignored and forgotten. In going back to Romanian I had the opportunity to take my revenge.
My mother married this guy, his name was Darryl. And he was moving us to Hawaii. And he was a musician. He was working with Don Ho's daughter, actually. And then he ended up meeting some girl, left my mom, and me and my mother and brother were stuck in Waialua at Cement City. It was pretty much the armpit of Oahu.
My home is Montreal. I will stay in Montreal and continue to make movies in Montreal. But it's also very healthy for Canadian filmmakers to work outside the country. You learn so much.
I tried to download a jazz album this week and ended up getting some tracks four times, some once, some three times; in total I ended up with 50 tracks. I don't know how I did it.
'Tis a month before the month of May, And the spring comes slowly up this way.
I rented a summer home in the winter on Long Island, I took long walks, and then I ended up moving to Woodstock. It was a fertile musical area and time, and I played with a lot of different musicians there, including getting into women's music, and I ended up playing with Cris Williamson.
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