A Quote by Nadia Comaneci

Maybe that's why I like gymnastics - because I like to fly. — © Nadia Comaneci
Maybe that's why I like gymnastics - because I like to fly.
I'm obsessed with gymnastics. It's like my football. And I like to watch women's gymnastics a little bit more than men's because I live for balance beam.
Because up to sixteen years old you feel gymnastics more. You can show your emotion, grace, like woman gymnastics, not kid's gymnastics. I feel I have good shape, and I can do it elements everything, but, it's not competition for me.
I was making pancakes the other day and a fly flew into the kitchen. And that's when I realized that a spatula is a lot like a fly-swatter. And a crushed fly is a lot like a blueberry. And a roommate is a lot like a fly eater.
I like seeing advanced acrobatics, but I also like to see more than tumbling. It's important to combine the artistry of gymnastics with the tough skills. It's called artistic gymnastics. We should stand by the name.
Maybe because All About Steve is about offbeat people, viewers don't want them to be heroes. There is something archetypal in us that we like a leading lady, we like a leading man, and we like people with my features to get killed. Maybe that's why the reviews were so severe - because good Lord, I've seen much worse films!
But let me do I will show the world what gymnastics looks like. Well may be this is a future gymnastics.
In elite gymnastics, I was surrounded by this bubble, that gymnastics was literally all I knew, and I'd like to know about worldly issues.
I was having an argument with my stepfather, and he was like, 'Why don't you join the Marine Corps?' And I was like, 'Noooo! Well, maybe, actually... ' I went and saw the recruiter, who was like, 'Are you on the run from the cops? Because we've never had someone want to leave so fast.'
I've always had a fascination with gymnastics, since I was a kid. It was the one thing at the Olympics that I would be like, 'Mom can I stay up late to watch gymnastics?'
I think now that maybe true sweetness can only happen in limbo. I don't know why. Is it because we are so unsure, so tentative and waiting? Like it needs that much room, that much space to expand. The not knowing anything really, the hoping, the aching transience: This is not real, not really, and so we let it alone, let it unfold lightly. Those times that can fly.
With gymnastics, I know I was making some people in that world mad because they thought that I wasn't focused on gymnastics. They were like, 'Ugh, she won't get off social media, she's always tweeting.' They wanted me to be America's sweetheart. And I think I've never fit into that cookie cutter person.
A lot of people ask why I don't fly for the airlines now. It's because of the rebel in me that doesn't like rules.
Remember before nineteen seventy two Olympic Games I was total skinny, I was small, very strong, they may be don't like to see a gymnastics like that. I don't know but, gymnastics, might. Nineteen seventy two supposed to be change somewhere.
I loved gymnastics, and my gymnastics teacher said ballet was essential to help my dance routines in competitions. I only really went because my friends were going as well. It wasn't this kind of hidden love. Then, slowly, my friends stopped going and I thought, 'I like this. I am going to stay.'
("Let's stand under a tree," she said. "Why?" "Because it's nicer." "Maybe you should sit on a chair, and I'll stand above you, like they always do with husbands and wives." "That's stupid." "Why's it stupid?" "Because we're not married." "Should we hold hands?" "We can't." "But why?" "Because, people will know." "Know what?" "About us." "So what if they know?" "It's better when it's a secret." "Why?" "So no one can take it from us.")
I like to tell myself people look at me for all sorts of reasons. Maybe they're staring because they're shocked or maybe they recognise me from TV, or maybe they just like my shoes - especially women, because we all look at each other's clothes and hair.
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