A Quote by Nadia Comaneci

I'm the kind of person, I leave a little space for better. — © Nadia Comaneci
I'm the kind of person, I leave a little space for better.
I have tried to be a man of letters in love with ideas in order to be a wiser and more loving person, hoping to leave the world just a little better than I found it.
Has this world been so kind to you that you should leave with regret? There are better things ahead than any we leave behind.
I'm the kind of person where I look to myself a lot on how I can get better. What little, nuanced differences can I make?
What I like doing is being a different person. Every character is kind of different. So being able to be that person and then when you leave you're yourself again. So it's kind of weird to be like two different people, and I think that's kind of fun.
No matter how public your work is, it's just a relationship with yourself. And you have to create a little sacred space inside yourself to treasure that... because when you die, that's still what you have. It's what you're born with and what you leave with. It's kind of a story of the way you accompanied yourself through your life.
Our job is to leave the world a little better than we found it. Not the same... not worse... better.
It is that kind of space, that little space of longing, whether it is in something like romantic love, or whether it's in something like divine love. You know, that kind of search for something that's not quite in your grasp. It's a very powerful place to explore as an artist, because it's not necessarily sad.
Some people can sometimes really invade your space and kind of never leave you alone.
In my earlier paintings, I wanted the space between the picture plane and the spectator to be active. It was in that space, paradoxically, the painting 'took place.' Then, little by little, and to some extent deliberately, I made it go the other way, opening up an interior space... so that there was a layered, shallow depth.
Every person has the power to make others happy. Some do it simply by entering a room others by leaving the room. Some individuals leave trails of gloom; others, trails of joy. Some leave trails of hate and bitterness; others, trails of love and harmony. Some leave trails of cynicism and pessimism; others trails of faith and optimism. Some leave trails of criticism and resignation; others trails of gratitude and hope. What kind of trails do you leave?
People leave United and tend to drift out of the game. I actually think I became a better player and a better person. I proved a lot of doubters wrong.
One thing that I'm really interested in is the kind of esoteric detail that surrounds these great figures. And Wikipedia is full of that kind of stuff, whether it's true or untrue. It staggers me: why, in the short space assigned to a person or an event, that kind of random information is there. To be honest, that's wonderful fuel for songwriting.
Life is a journey, and one thing's for sure: You don't see many hearses with luggage racks on them. We're privileged to be here, so instead of just using God's resources, we should leave the place a little better than we found it - or at least leave it the same.
I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.
The dimension that counts for the creative person is the space he creates within himself. This inner space is closer to the infinite than the other, and it is the privilege of the balanced mind... and the search for an equilibrium is essential - to be as aware of inner space as he is of outer space.
With Bojack we are seeing him on this journey. I think we're hoping for him to find a way to be more gracious and kind and positive and better to people in his life and better to himself, but I don't know if I necessarily frame it as he was a bad person and he will become a good person.
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