A Quote by Nadine Coyle
I would rather go back to when I started doing music in Ireland and it was all live. I mean you just don't mime.
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I mean Ireland, in all honesty I owe Ireland a lot because I think, and I'm not just saying this flippantly, Ireland is probably the reason that I do the job I do because when I started doing stand-up I came to Ireland and I just sort of gelled with the idea of doing it the way I do - telling stories.
I guess it would fall into the stalker category more or less. I was being stalked by a mime - silent but maybe deadly. Somehow, this mime would appear on the set of 'Bringing Out the Dead' and start doing strange things. I have no idea how it got past security. Finally, the producers took some action and I haven't seen the mime since. But it was definitely unsettling.
I do go back to Ireland, and I'll probably be doing a film in Ireland in January, and I guess that kind of keeps me classified as 'the Irish actor,' but the last four or five projects that I've been in are either American or English, so I don't feel terribly trapped in that. But sometimes, yeah, you would like to not be called 'the Irish actor.' You'd prefer to just be called 'the actor.'
There's nothing like getting feedback that's positive and supportive. That's what I'm all about. I'm really just genuinely doing good music. I'm not looking to be on the cover of magazines and I'm not in it for the fame. I'm not in it for selling or the biggest Pop song in the world. I have to go for critically acclaimed. I'd rather go for my peers that I look up to say "I listen to her record." I'd rather do a small little touring venue that has two people who support me as opposed to thousands of people. I mean if it happens, it happens but I'm doing it for me.
The day I turned 16, I moved into my own flat. My parents had just broken up, and I didn't want to go back to Ireland with my mother. I was doing my A-levels, and my friends would come over and watch 'Twin Peaks.'
If I were bombing with my jokes in English, I would go back to France. Maybe do that mime thing.
I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.
What I live and do is music. When I'm not doing that, I'm just kicking back, watching my stocks and bonds and checks coming in the mailbox. I really don't have anything else I do. I may go to a movie or something. It's just family time and things like that.
I love L.A. I mean, in Ireland it just rains all the time, it's crap weather, so it's nice to go to L.A. where it's just sunshine every day, and then it's kinda easier to live a kinda healthy lifestyle. As opposed to New York, where you just drink all day.
I started with rock n' roll and...then you start to take it apart like a child with a toy and you see there's blues and there's country...Then you go back from country into American music...and you end up in Scotland and Ireland eventually.
I started under my master, Etienne Decroux, who taught me a new grammar for mime he called statuary mime. This grammar brings style creations. Without it, no art survives.
I started on 'Saturday Night Live' the same time Conan started on Late Night. We just had a relationship because I would be upstairs in the studio and whenever he couldn't get a guest - which was often back then since he was just starting out - he would just call me down to be a guest.
I started on 'Saturday Night Live' the same time Conan started on 'Late Night.' We just had a relationship because I would be upstairs in the studio and whenever he couldn't get a guest - which was often back then since he was just starting out - he would just call me down to be a guest.
I tried to bring in the live orchestra like Bjork does. I love the feeling that that music gives me when I just listen to it. I mean it would be awesome to do an entire record like that. But unfortunately that's not my style. So rather than do a record like that I just got inspired by it.
I had promised myself when I first got started that if I got to the point my life where I started feeling 'Gee, I'd rather be at home than at work', and that started happening more often than not, that it would be time to leave. I'd wake up some days and go "Oh, I don't even know if I want to go face this anymore". I would, I would go do it, I'm a dutiful kind of person and not afraid of work.
Most people have wanted me to go back to football. Which is cool, but I think at this point, some things are just more important than football. Football has afforded me an opportunity to take care of my family, to live out a dream, to meet people, to go different places I would never have been able to go. Football has been a huge part of my life. Giving that up isn't an easy thing. But I would rather us live in a country where there is freedom and justice for all than to be catching a touchdown. And like I told my wife, the America that I don't want to live in, is Charlottesville.
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