A Quote by Nadine Coyle

There's no rules in music anymore. You don't have to go down with, 'You have a single, let's do six weeks of promo, beginning with this, doing this, doing this.' — © Nadine Coyle
There's no rules in music anymore. You don't have to go down with, 'You have a single, let's do six weeks of promo, beginning with this, doing this, doing this.'
In the beginning, the punk scene was so full of promise. All the bands were different, and all the sounds were different. The common denominator was that it was all very young kids doing it, and doing it on their terms. But then it became, 'You should listen to this and you should wear this uniform, and you shouldn't do this or that.' It was supposed to be about not having rules, but every generation of music gets watered down.
Occasionally, I have time to go to the theater, and I think for a minute, 'Man, I'd really love to be doing a play right now.' Because I loved doing plays when I was doing them. Then I think, 'I want to do it right now, but will I want to do that Sunday matinee in six weeks?'
I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
I'm someone who started in the theater and really couldn't stand repeating the show. My favorite part of acting is the five or six weeks of rehearsal that you get. I like doing previews; I like the opening week because my friends and family come, and then after that, I don't want to do it anymore.
I never heard so many kids talk about just doing anything to be famous. I mean, yeah, fame is part of the deal when you're a kid and you think, I wanna go into music, but everybody that I knew was really doing it because of their love for it. I don't see so much of that anymore.
When I first moved to Los Angeles I came down there on a wing and a prayer in a way. I had about six weeks worth of money to make it there and that was just from doing a couple of episodes of the X-Files just to finance that trip. I got there and it is either you got to hit it or you got to go and, thankfully, I found a job.
My business in the beginning was very lawless and the more trouble I go into, the more the promoters liked me back then. I was on the front page for doing something wrong, the arena was full. Then, all of a sudden, everything changed somehow and they put rules in. You put rules in a gunfight? I'm not so good at following those rules. I don't' know what will happen at WrestleMania.
If there's a national-team player, he has to do extra work. He has to do extra weeks, and he can't go on vacation even if he says: 'Well, but I'm supposed now to have six weeks off.' If he comes and says that, then I give him a hug and say: 'Have fun the six weeks, but don't come back here.'
I've just recently started doing the promo bits for the new album, and the funny thing is that the people who come to talk to me about these things seem to be getting younger. It's like the people who like the music are all young kids and they're on top of you - they know all about what you're doing, and they're excited and animated about it. So it's a lot of fun.
With my existence and with my music I'm saying, even though we're not supposed to, here I am doing it and doing it well. I want people to feel like when they listen to me, they can forget all the rules.
We always work at least a month to six weeks before we go on the road, usually for something like eight to 12 hours a night. It took six weeks to do it this time. We just play virtually everything we know.
I'm used to doing U.K. indie films, like, six weeks of filming, tops.
We're best at doing pop music - we're not good at doing down, depressing music.
I think I'll be doing music until I die, regardless of whether I'm popular or not. If I ever feel like people aren't receiving my music well anymore, I'll probably go to the backroads and become an executive or just sign artists.
If you're doing six takes, instead of doing six variations on the same words, why not just throw out the words and make them up as you go along, if you're comfortable with it? It gives the movies a slightly rangier feeling, and more of an accidental feel, but it also makes them edgier.
What I'm making music for now is more similar to what I was doing in the beginning. In those days it was all about doing music so when people heard it in a club it would take their minds of their worries. I got more artistic but now I've gone back to basics.
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