A Quote by Nadine Gordimer

The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable. — © Nadine Gordimer
The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
The creative act is not pure. History evidences it. Ideology demands it. Society exacts it.
Read. Read every chance you get. Read to keep growing. Read history. Read poetry. Read for pure enjoyment. Read a book called Life on a Little Known Planet. It's about insects. It will make you feel better.
All other forms of history - economic history, social history, psychological history, above all sociology - seem to me history with the history left out.
It's become fashionable these days to say that the writer writes because he is not whole, he has a wound, he writes to heal it, but who cares if the writer is not whole; of course the writer is not whole, or even particularly well.
I'll read anything Anne Carson writes, anything J. M. Coetzee writes, and anything Cormac McCarthy writes. I'll drop whatever I'm doing to read a new Mary Ruefle essay.
If you're a singer you lose your voice. A baseball player loses his arm. A writer gets more knowledge, and if he's good, the older he gets, the better he writes.
This act of empathy, that women go through from the time we're little girls - we read all of literature, all of history, it's really about boys, most of it. But I can feel more like Peter Pan than Tinker Bell, or like Wendy. I wanted to be Tom Sawyer, not Becky. And we're so used to that act of empathizing with the protagonist of a male-driven plot. I mean, that's what we've done all our lives. You read history, you read great literature, Shakespeare, it's all fellas, you know?
Ministers should be Bible students. They should thoroughly furnish themselves with the evidences of our faith and hope, and then, with full control of the voice and their feelings, present these evidences in such a manner that the people can calmly weigh them, and decide upon the evidences presented.
History teaches me that the dollar rules and whoever writes history writes it however they want.
But I have to say this in defense of humankind: In no matter what era in history, including the Garden of Eden, everybody just got here. And, except for the Garden of Eden, there were already all these games going on that could make you act crazy, even if you weren't crazy to begin with. Some of the crazymaking games going on today are love and hate, liberalism and conservatism, automobiles and credit cards, golf, and girls' basketball.
The fact that I am constantly immersed in the act of legal writing and editing has made me a better and more efficient creative writer and editor. In the end, lawyers need to tell compelling stories when they write a brief or other legal argument. A successful lawyer understands that the judge is merely a person who is going to read that brief, which should articulate a compelling reason for the judge to rule in that lawyer's favor. In other words, a legal advocate needs to get the judge to care. That's not dissimilar to what a creative writer does.
When I was a kid, we had this great advantage of there being no YA books. You read kid books and then went on to adult books. When I was 12 or 13, I read all of Steinbeck and Hemingway. I thought I should read everything a writer writes.
Why does the writer write? The writer writes to serve--hopeless ly he writes in the hope that he might serve--not himself and not others, but that great cold elemental grace that knows us.
He who loses his mother loses a pure soul who blesses and guards him constantly.
The mind of a generation is its speech. A writer makes aspects of that speech enduring by putting them in print. He whittles at the words and phrases of today and makes of them forms to set the mind of tomorrow's generation. That's history. A writer who writes straight is the architect of history.
When I read students’ attempts at creative writing it is obvious immediately that most of them have not read much or widely. The aspiring writer must read everything he or she can to appreciate the myriad ways words are used and to what effect.
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