Perhaps the most important vision of all is develop a sense of self, a sense of your own destiny, a sense of unique mission and role in life.
You always ask that. Why. Like there's an answer for everything. Not everybody has your life, you know, or your family. In your life, things happen for reasons. People make sense. But that's not my life. Nobody in my life makes sense.
Whether it's writing a monologue or writing standup or writing a screenplay or writing a play, I think staying involved in the creation of your own work empowers you in a way, even if you don't ever do it. It gives you a sense of ownership and a sense of purpose, which I think as an actor is really important.
Writing is making sense of life.
Can you remember how you felt when you were communicating through your artwork? Not just the sense of completion, but the sense of rightness- the sense that you had brought to life something that could live beyond your sphere of being, that held in it far more potential than you ever realized you were imbuing in the work?
what a writer does is to try to make sense of life. I think that's what writing is, I think that's what painting is. It's seeking that thread of order and logic in the disorder, and the incredible waste and marvelous profligate character of life. What all artists are trying to do is to make sense of life.
When I looked at you, my life made sense. Even the bad things made sense. They were necessary to make you possible.
Europe has what we [Americans] do not have yet, a sense of the mysterious and inexorable limits of life, a sense, in a word, of tragedy. And we have what they sorely need: a sense of life's possibilities.
Europe has what we do not have yet, a sense of the mysterious and inexorable limits of life, a sense, in a word, of tragedy. And we have what they sorely need: a sense of life's possibilities.
Writing for TV made way more sense than writing for magazines. And by sense, I mean money.
Perhaps this is what it was all about. Leaning on God when life made no sense, as well as when the answers seem clear.
I thought perhaps if I tried something that was so masculine perhaps that's what I would become. Sadly, that wasn't the case... sad in the sense that maybe it would have made some of the darker periods in my life a bit more manageable.
The best thing about writing has been the writer's life, the sense of being expressed, the ownership of the day, the entirely specious sense of freedom we have, however slave we are to some boss or other. I wouldn't trade it for any other life.
The idea of "making art for art's sake" makes no sense for me. Each area of my life, all the roles I play, influences the others.
Writing is a solitary business. It takes over your life. In some sense, a writer has no life of his own. Even when he’s there, he’s not really there.
Even when I think of writing fiction, it's being kind of a liar, a storyteller, a weaver, and there's that sense of how much of this is your life. The story is a way you unravel your life from behind a mask.