A Quote by Nadine Labaki
I don't like to work with people I don't have any connection with.
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The digital world has allowed me a connection with my reader that I'd never had before. I didn't meet the people who read my material. The fan letters were mostly answered by professional people that'd done them for a living. And I didn't have any daily connection with their response to my work. I didn't have a relationship with my audience. And every artist should have it.
The thing that will never go away is that connection you make with a band or a song where you're moved by the fact that it's real people making music. You make that human connection with a song like 'Let It Be' or 'Long and Winding Road' or a song like 'Bohemian Rhapsody' or 'Roxanne,' any of those songs. They sound like people making music.
For me, I guess the general reason for using social media is that the connection I have with people who are interested in my music is extremely important to me. That connection is like the pillar in everything I do. I want to embrace that connection and make it stronger.
Your connection to other people keeps you human, and that connection, staying human - that's what you have against control. It's like if somebody is being controlled by their job, the connection is to their family. And if they stay connected to those people, the job will never really have control over them.
When people do things they weren't even sure they were capable of, I think it comes back to connection. Connection with teammates. Connection with organization. Feeling like they belong in the environment. I think it's a human need - the need to feel connected.
When you feel a connection, a gut connection, a heart connection, it's a very special thing. What's familiar to everyone is watching people falling in love; it doesn't happen on screen that often. People fall in lust, then they're suddenly together.
The center for me is my heart, actually, and my emotional connection with the work. That's where authenticity comes from. It's also the first thing that hits me about other people's work, or watching other people perform, "Do I believe the person?" Even if I don't like what someone is doing or if I don't like the sound, if I believe them, I do like them. I am able to appreciate them as an artist.
It's an amazing feeling to feel that I was able to get a personal connection to the work, through the work of it. But I like the idea that I was able to tell a bunch of people's stories even though I didn't know them.
Number one consideration is always availability. Then it's about - for me and, I guess, for every player - the connection with the coach, like with any relationship: how you work together, the chemistry on court.
If your dad died before you were born, yeah, it hurts - but it's not like you had a connection with something that was real. Not to say it's any better - but to have that connection and then have it ripped away was, like, the worst. My dad was such a good dad that when he left, he left a huge scar. He was my superhero.
If your dad died before you were born, yeah, it hurts — but it’s not like you had a connection with something that was real. Not to say it’s any better — but to have that connection and then have it ripped away was, like, the worst. My dad was such a good dad that when he left, he left a huge scar. He was my superhero.
I don't feel a connection with younger people or with Generation X, or any generation, I feel. If I felt a connection with people my age I wouldn't have written six books about feeling depressed, alienated, lonely. If I did I would have many friends and feel connected with them and probably be a happy person who has a real job.
I have had big relationships. Three times in my life I have felt a special connection, but people talk about looking for love as if it's just like walking into a Starbucks and buying a coffee when you feel like it. It's rare, that special connection.
People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.
If I can make a connection, one connection, to any one listener in the world, I consider that successful.
When I go onstage, I'm going to work ...I feel like my performance is about an emotional connection. I want to connect with people, whether it's like a romantic song or a happy song.
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