A Quote by Nadiya Hussain
I do identify as a Muslim and I do identify as a Bangladeshi girl, I identify as British, as well, and a woman and I'm a woman of colour, and why am I ashamed of that? And I used to not want to talk about it. But that is me.
Related Quotes
I have been villainized because of my identity - I've received nasty blog comments and emails just based on my willingness to identify with feminism by people who clearly don't understand what I value and why I identify as a feminist. Ultimately, I'm less concerned with whether or not people identify as feminist and am more concerned with whether or not people understand what feminism is. If they don't want to identify as a feminist that's fine. I respect people's decision to identify any way they want and expect that same respect in return, although I don't always get it.
I identify with my body, but I don't identify it as male or female; I just identify it as a vehicle to help me bring my awareness around the world.
I think it's really important that women support each other. I've heard of a very successful female director saying she doesn't identify as being a feminist or a woman in Hollywood. And I understand that, but I feel so differently. It's so important to identify as a woman and have a voice, to understand that it's different from a male voice, and to understand the nuances that go into that. I love women. I think I'm a girl's girl. It's super important that we have a voice in the industry.
Success can never identify who you are. You must always identify it. You cannot allow the failures to identify who you are.
Blackness is a state of mind, and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white woman. So out of that reason alone, I identify more with the black community.
I identify very proudly as a disabled woman. I identify with the crip community. I didn't invent the word 'crip'. It's a political ideology I came to in my late teens and early 20s.
I could characterize nearly any spiritual practice as simply this: identify and quit, identify and quit, identify and quit. Identify the myriad forms of limitation and delusion we place upon ourselves, and muster the courage to quit each one. Little by little, deep inside us, the diamond shines, the eyes open, the dawn rises, we become what we already are.
There are many more women who identify as unique people as well as mothers, or instead of as mothers, than there used to be and, hopefully, there are more men who identify as fathers.
People can identify as however you want to. Right on. Go for it. But my strategy in this bigger game of life is to not identify as anything.
Flaws reveal a lot about a character and who people are. The flawed elements of a character are where I find their humanity. Those are the things I tend to identify with - the weaknesses. I don't know why, but I identify with struggle more than with success.
Blackness is a state of mind and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white women. So out of that reason alone, I identify more with the black community.
I identify as a woman first, but I am also proudly trans.
Everyone would tell me they couldn't identify with sexual abuse. No one says they can't identify with the tales of the Greek gods and goddesses because they don't live on Mt. Olympus.
I identify as a gay man all the time, but I also like to identify as queer.
I can identify with steelworkers. I can identify with workers that have had a difficult time.
A great director, first, is highly intelligent. And he is also a dedicated and willing to work hard. Now those are easy things to identify. The third is the creativity, and that is very difficult to identify in advance. This is why so many of the directors who have started with me were my assistant - the first one was Francis Ford Coppola.
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