A Quote by Nadiya Hussain

I'm forever making it out like I have got it all together and I know what I'm doing. The truth is I haven't got a clue what I'm doing. — © Nadiya Hussain
I'm forever making it out like I have got it all together and I know what I'm doing. The truth is I haven't got a clue what I'm doing.
I was always cycling for my dad. Then the coaches got bigger, and my results got better. Suddenly, the responsibility grows, and I'm doing it for somebody else, I'm doing it for a programme; I'm doing it for the country. I'm doing it for, like, everybody.
When I started working, I didn't have a clue what I was doing, in that I was just wandering around, hoping that I could succeed. Then after I got a little under my belt, it took me about 25 years to feel like I knew what I was doing.
The thing that got me started on Twitter was just basically pressure from management and the record company saying, 'Hey, this is what all the other artists are doing. You need to be doing it also.' I didn't really have a clue what is was.
I don't know what's waiting for me around the corner and I don't know what else I'm going to be doing in the future - but you've got to enjoy things while you're doing them. There are tough times and mountains to climb, but you've got to go for it.
I don't have too many plans filled out. I know I want to keep doing more music. I've got a couple of albums worth of songs I'd like to put it out there. As far as movies, I just want to continue how I've been doing it: working with terrific people is certainly on my agenda, and then doing stories that interest me.
You got to like your work. You have got to like what you are doing, you have got to be doing something worthwhile so you can like it - because it is worthwhile, that it makes a difference, don't you see?
You have got to love what you're doing. No matter what it is. Whatever you undertake in life, if you don't love it, and you don't enjoy it, you are making a big mistake. You have got to love what you are doing. You have to appreciate what you are getting, and you have to do it to the best of your ability.
I am manageable. I, you know, it'll suffice I think. No, no, I feel pretty good. I trained for a long time and I got really cool, like I was doing jumps. It got like, I felt really good, but then when I got out on gravel and fake snow and - it just kind of all went downhill. But I think it's still okay.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voiceovers.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voice-overs.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
I did a lot of musicals when I was young and finally went to drama school to try and get away from doing musicals... and of course the first thing that happened when I got out is I got offered a musical. And then when I got to the Royal Shakespeare Company, which was my next job, I ended up doing a bloody musical!
I have got friends that I have got to know and found out that, the first few times I was with them, they were just thinking that everything I was doing was some kind of weird mind game, which is hysterical, really, because I couldn't be any less like that.
Speaking as somebody who's been in the drug scene, it's not something you can go on and on doing, you know. It's like drink, or anything, you've got to come to terms with it. You know, like too much food, or too much anything. You've got to get out of it. You're left with yourself all the time, whatever you do--you know, meditation, drugs or anything. But you've got to get down to your own god and your own temple in your head.
When you move the camera, or you do a shot like the crane down (in Shawshank) with them standing on the edge of the roof, then it's got to mean something. You've got to know why you're doing it; it's got to be for a reason within the story, and to further the story.
You know, just being recognized for anything musically for me has been, like incredible because this is all I do, this is all I got. So whenever people can recognize and acknowledge that I'm out here working and doing the best that I can and it's actually paying off and doing something for me, it's a blessing.
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