A Quote by Naga Chaitanya

'Premam' moved me; it was almost like seeing life play out on screen. — © Naga Chaitanya
'Premam' moved me; it was almost like seeing life play out on screen.
I like taking my leads from what I see rather than trying to impose. I like that way of looking at things and seeing what's on screen and seeing how I can draw music out of it almost.
Seeing Rush the first time was huge for me. That was my favorite band and I couldn't believe they were actually in the same building as me. I was totally freaking out when the show started and when they started to play it was almost like cartoon characters coming to life. I couldn't get my head around the fact that it was really them.
When I set out to write, I see it very visually. I almost feel like a reporter. I'm relating what I'm seeing and hearing, so it's kind of watching a play for me.
I moved to New York when I was almost 21 and I've lived there for almost eight years, now I have a totally different relationship to L.A. There's like all this space and it's so beautiful seeing all these different landscapes and all my friends are here so now I really like it so much but my adjustment period was a little like "What a strange town".
I like to do on screen what I'm not in life. In life, I'm much more weak and insecure, and so then you know I like to play characters that are stronger than me.
Anyone who has watched 'Premam' in theaters would understand the camaraderie between the members on and off the screen and that's what translated to that brilliance.
When I first moved here, I almost felt like I was obligated to hate L.A. as a New Yorker. I moved way too fast for this city. I walked everywhere, and I was lonely, too. It was a really hard time not knowing anybody, and you don't run into people the way you do in New York. You can go a week without seeing anyone.
For me, I believe that just seeing women be strong and tough is not answering the question of what a female hero looks like. Women have their own set of skills that are worth exploring and seeing on screen.
On screen and off screen in WWE, seeing people reflect what our world looks like, that's the goal, and I'm excited to be a part of that.
Try driving the streets of Los Angeles without seeing a billboard depicting a film with a lead actor holding a gun. It's almost as if guns are harmless props used to bring out the cheekbones and jawline of the screen star.
I've always said it's flattering to be desired, just as it's flattering that people accept the reality of the character you play. But it was always ridiculous to assume that because I could play a gigolo on screen I'd play anything like that role off screen.
I think men under pressure - I mean, that's what brings out the worst and the best of us. I like to explore that quite a bit in my characters because I don't see a lot of it on the screen that moved me like the films that I grew up with - that are honest, at least, about honest emotions and honest heroism.
The play I was doing [on a Broadway ], I was playing an obnoxious, outspoken kid, so [the director James Lapine ] saw me do the play, and he was like, "That's what I'm looking for." I tested for the part [in Life With Mikey]. Back then, I used to do screen tests. I mean, they still do every once in awhile, but it was a big deal.
Audiences like me in soft, romantic roles, and 'Premam' ticks all the boxes.
I feel like a new person. I learned how to deal with people when I wasn't a football player. I always wondered how they'd react to me, if they'd respect me. I found out I have other attributes that I like-and that others like. The injury made me a lot more mature. I have a better grasp of reality in life. I'm more patient and giving. I'm a lot closer to my family and more team oriented. I'm so much stronger emotionally. I have proven to myself that I can overcome the most dreaded injury in football. It's almost like dying and realizing life has been given back to me. I can't wait to play.
Life experience. I can talk it up, vow to broaden my horizons, but I’m still limited to the experiences with my life. How can a person understand an experience that lies completely outside her own? She can see it, feel it, imagine what it would be like to live it, but it’s no different from seeing a movie on a screen and saying, “Thank God that’s not me”.
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