A Quote by Naga Chaitanya
A box-office number is good for a producer and the industry to keep the turnover game on, but as an actor, I give importance to script. I will turn down a script, even if it guarantees Rs. 100 crore, when I'm not convinced with it.
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I cannot put pressure on myself that I have delivered a Rs 100 crore film and now I have to give it again or it will not be successful. Films that earn Rs 50 crore or Rs 60 crore are successful, too.
It's not necessary that every film has to hit Rs 100 crore box office, or the Rs 50 crore budget. If the film makes double of its project budget, we consider that a hit, and that also means that the film is in profit.
We started the 10/10 objective in 2011, and that time, our turnover was about Rs. 15,000 crore. We would like to have a turnover of Rs. 1,50,000 crore by 2021. This will be through high growth in domestic and international operations as well as through acquisitions.
This is my life... I mean, maybe I have Rs 100 crore in the bank, sitting comfortably. If that increases to Rs 10,000 crore, what difference does it make to me.
We never extrapolate: In 1988, my net worth was Rs 1 crore and 1993, it was Rs 200 crore, this does not mean that in 2000, it is going to be Rs 800 crore. In 2002 also, my net worth was Rs 250 crore. We cannot extrapolate things. You take success with paranoia and it is always transient and temporary.
The way I pick movies is, first, if the script is any good. Then, if the script is good, who else is in it, the director, the producer, all that. If you have all that, there's a chance the movie will be great. If the script isn't right, or the director or cast isn't right, you've got no shot in hell.
A German shepherd dog could walk in the office with a script in his mouth, and if that script was really good, they'd buy the script.
I would never want to do a content-driven film with a box office life of Rs 20 crore.
I don't believe in Rs. 100 crore club, I only believe that the producer should make money.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
I'm just going to give my all every game, be a good box-to-box midfielder, hopefully score some goals, and I will always give it 100 per cent.
I want to my films to make Rs 200 crore and Rs 300 crore also, but I have to be reasonable.
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good... I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
I have never seen a script that hasn't gone through at least eight different iterations before they even begin filming, and frequently what is filmed is not what's in the script, because things change on the ground. An actor can't say a particular line. An actor will have a brainstorm and ad lib something utterly brilliant.
Even writing a script which will be funny is not easy. To make the script come to life and make the audience laugh, I will call myself more of an actor if I am able to do that.
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