A Quote by Naga Chaitanya

I'm not very particular about the commercial angle in my films, but entertainment is very important. — © Naga Chaitanya
I'm not very particular about the commercial angle in my films, but entertainment is very important.
I'm a commercial director; I do some very very commercial stuff in the commercial world. My music videos are always analyzed. I need to think about what the audience is going to think.
What makes a lot of suspenseful films work is very, very particular points of view and very subjective use of the camera.
No matter what, I'm in a very small club. There are very few women who have directed studio-level commercial films - very few.
If you want to show cinema, make entertainment films. Sometimes they are very good, sometimes very bad, but the intention is always to make entertaining films.
Some of the subject matters that I like to make stories about are definitely not inherently commercial. So I have to look for a very special kind of financing and go down a very gentle path in order to make my films, as do basically all social-realist filmmakers. It's a long process.
The visualization of my films is always very important to me and I work very closely with my cinematographers. I've never had the same cinematographer twice now that I think about it. I don't know why that is. Everyone is always busy. They do three or four films a year. It's vital to me.
I believe that science fiction is as profound as you want it to be or it can be very simple entertainment, and I'm all for very simple entertainment. Every now and then we all need to come home, veg-out, watch something and not think too deeply about it. It's what you want it to be. We tend to steer clear of being pedantic; it's entertainment first, otherwise we'd be on a lecture circuit.
Even though there's an entertainment value to the film, I think it's very important because you can't really separate the impact of that political message from it. It's rare that you get films like that I think; that really have an important message and are also entertaining.
In most of his films, Upendra has a harsh and rough demeanor, and Sudeep also has a very massy commercial image. In 'Mukunda Murari,' though, their characters require them to be very different and near silent.
It meant a kind of real liberation of expression. It embraced amateurism in a way that I still am inspired by. It was not about trying to get, you know, stadium gigs or even commercial radio play or even record deals for that matter. It was about saying something 'cause you meant it, and expressing something that you felt. And that was primary for that - whatever the scene, whatever punk rock means, it was very, very important to me, very formative.
Russia is very important, Iran is very important, Hezbollah is very important. All of them are important. Each one made important achievements against the terrorists in Syria, so it's difficult to say who is more important than the other.
We kept moving forward, kept pretty particular about certain things. Don Handfield is really great with story, so we kept working on it from that angle and developed a lot of IP over the years, which we became very proud of.
You see I don't like to be really too commercial about things but in this business you've just got to be commercial otherwise the films don't make money and you don't make films and as a long as a commodity is selling it's silly to kill it dead.
Close-Up is a very particular film in my oeuvre. It's a film that was made in a very particular way; mainly because I didn't really have the time to think about how to go about making the film.
The problem is, with a lot of children's films, they are very commercial.
I think it's important to keep things private, and there are certain boundaries I feel very particular about drawing. It may seem fastidious, but my experience of talking to the press is that I need those boundaries to remain very clear.
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