A Quote by Naga Chaitanya

Our idea to remake the Malayalam 'Premam' was not to make a better film than the original film or correct the mistakes they made or perform better than that hero. The soul of the Malayalam movie was taken and changed a bit to match with the Telugu sensibilities so that our audience can enjoy the movie.
I really liked 'Premam,' and when we decided to remake it, our intention was never to make a better film.
Telugu and Tamil industries keenly watch Malayalam movies and are appreciative of the content, be it 'Ustad Hotel,' 'Premam' or 'Bangalore Days.' They've also been listening to our music. That's how I was approached for Telugu films.
My Hindi remakes are better than my originals except sometimes, the Malayalam actors perform better.
I had the idea that the film would be much better served by a Branch Rickey lookalike than a Harrison Ford lookalike. I didn't want the audience to go into the film thinking that they knew me from some previous experience in a movie.
When I emerged as a hero, there were times I had continuous hits in Malayalam. I also tasted success as a supporting actor in other languages. But there was a collective effort from a group in the Malayalam film industry to flush me out, which affected my career.
Coming from the Malayalam sets, when I went to Telugu, people told me that I wasn't acting and that it felt dead. It was very subtle in Malayalam, while it is slightly dramatic in Telugu. It is quite fascinating to understand what each industry expects of you and work according to that.
Malayalam industry is pretty awesome, and I will definitely do a movie in Malayalam. There are some great directors over there.
Tamil films have to be faster than a Malayalam film but not as fast as a Hindi film.
The opening scene from 'Sharknado' I think was better than the original 'Jaws' movie. It was scarier, it was bloodier, and it had more high-anxiety moments than the original 'Jaws' movie. And that movie kept me out of the ocean for a summer.
After all my hard work, I ventured into Bollywood with 'Traffic,' which is a remake of a Malayalam movie.
I was eight years old when I was offered a film. And before I knew it, I was acting in Kannada, Malayalam, Tamil, and Telugu movies.
Most young people make films to be accepted, to be discovered, when in fact that was the last idea with the group I went to film school with. To be discovered was not our intention. Our intention was to tell our story our way, and make our own mistakes and learn from film to film.
A movie is made for an audience and a film is made for both the audience and the film-makers. I think that The Game is a movie and I think Fight Club's a film. I think that Fight Club is more than the sum of its parts, whereas Panic Room is the sum of its parts. I didn't look at Panic Room and think, "Wow, this is gonna set the world on fire". These are footnote movies, guilty pleasure movies. Thrillers. Woman-trapped-in-a-house movies. They're not particularly important.
I'd never read 'Prince Caspian'. I watched it and loved that film. Everybody was talking about its lack of success; its relative success in comparison to the other film. It's a great film. It deserved to do a lot better than it did. It's very difficult to make a film that will match up to the first.
I always try to better myself with every movie I make. I don't take anything sitting back and so I try to learn from every film I make and carry that onto the next movie because I think it's important as a filmmaker to keep growing with each film and I think I am growing with each movie. And I think it's important because you need to strive to better yourself.
If Irrfan plans to make a movie on me, I will be the hero of the movie, as I feel that no one better than me.
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