A Quote by Naga Chaitanya
After starting with 'Premam,' asking director Chandoo Mondeti to do a remake was a mistake because he has much more potential and creative ability to direct.
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I really liked 'Premam,' and when we decided to remake it, our intention was never to make a better film.
I'm not so in a rush to direct just anything because I'm lucky that I can make a living so far as an actor and not have to worry about that as a director. And so I can be a little more choosy in things I direct.
I appreciate my role as an actor much more after I direct because it's just easier.
Do you think of yourself as a creative personality? If you do, you are both fortunate and correct, in fact the beautiful truth is that everyone is creative and we all have the ability to develop our creative potential. It is wise to remember that the person who follows the crowd will get no further than the crowd. The person who walks the creative path is likely to find they are in places no one has ever been before.
MySpace gives our members the ability to reach such an incredible range of people and have direct contact with them. I'm not sure how that devalues friendship so much as it expands the range of potential friends you can have.
Michael Bennett, Tommy Tune and Agnes de Mille fought to be director-choreographers. They were just not going to do it any other way because the choreographer is so often at the bottom of the creative totem pole when you put a show together. So with that power you get a more direct point-of-view and that helps something called style.
With Lady Gaga I really stretched myself as a creative director, and because I was with this artist from before she got signed I was able to really take control of the opportunity and execute as a creative director.
I know what its like to direct. You become a more considerate actor. After you have directed, you understand what is going on. You can't help but think of the material as a director. You do come up with suggestions. You come up with shortcuts that you weren't aware of before. You try to be helpful to the director if he has a lot on his hands.
Self-Enquiry is not asking you to believe or to trust - it is putting a mirror in front of you and asking you to look. Enquiry is suited to many people in the West, because we are more mental. And it is very direct. So unsparing is its look that nothing can escape.
I'm much more collaborative than I probably was when I was first starting, much more willing to say, "I don't know the answer to that." I have really talented people and let them do their jobs and not try to control everything as much as I did when I was starting. I was a bit more insecure.
Success is the ability to meet worthy goals, but it's also the ability to love and have compassion and the ability to get in touch with your creative center, to transform yourself toward more peaceful and just pursuits. I hope we redefine success. Otherwise, we'll see more of what we're already seeing - more aggression, more burnout, more Wall Street scandals, more war, more terrorism, more eco-destruction.
Unless you're a directing producer of a television show, for the most part, the director comes in one week to direct and episode, and then leaves. I'd much rather produce television and occasionally direct an episode of a show I'm producing, then just come in as an outside director.
Even if censorship might encourage creative ways to circumvent it, it still slows down progress and our ability to realise our full creative potential. And that is why I vehemently fight against it.
To encourage more top-caliber students to choose teaching, teachers should be paid a lot more, with starting salaries more in the range of $60,000 and potential earnings of as much as $150,000.
With spiritual growth comes new creative potential, leading to the realization that you are pure potential, able to fill any creative impulse.
Film’s thought of as a director’s medium because the director creates the end product that appears on the screen. It’s that stupid auteur theory again, that the director is the author of the film. But what does the director shoot-the telephone book? Writers became much more important when sound came in, but they’ve had to put up a valiant fight to get the credit they deserve.
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