A Quote by Nalini Singh

Illium says that perhaps I can use them to flutter someone to death. - Aodhan to Jason, Archangel's Storm — © Nalini Singh
Illium says that perhaps I can use them to flutter someone to death. - Aodhan to Jason, Archangel's Storm
Wave to the nice tourists, Sparkle. I promise it won't cause pestilence and firestorms." Elena bit the inside of her cheek at Aodhan's glare-she'd never seen anyone crack his reserved shell. "Sparkle and Bluebell, nice." "Never," Aodhan said, hands stubbornly on the girder, "ever repeat that. Illium seems to have forgotten I promised to separate his tongue from his mouth should he utter it again in this immortal lifetime.
A large stone presented by the archangel Gabriel to the patriarch Abraham, and preserved at Mecca. The patriarch had perhaps asked the archangel for bread.
Working with people like Jennifer Aniston and Jason Sudeikis is such a blessing because I've watched them a great deal. I grew up with 'Friends' and always aspired to work with someone from that cast. Jason is just such an amazing comedian.
If you were standing next to the prophet on the mountain, would you have seen the archangel? And my answer to that was probably not, even though it's supposed to be a really big archangel. He describes it as - the Archangel Gabriel as standing on the horizon and filling the sky. That's a big angel.
The one and only time an archangel can Make another angel is when our bodies produce a substance known as ambrosia. Ambrosia,is produced instinctively at a single point in an archangel’s life. It is legend that ambrosia only rises when an archangel loves true.
The profound calm which only apparently precedes and prophesies of the storm, is perhaps more awful than the storm itself; for indeed, the calm is but the wrapper and envelop of the storm, and contains it in itself, as the seemingly harmless rifle holds the fatal powder, and the ball, and the explosion.
Only from chaos does order come. The angry Fates bring death where they will, when war is king, says Enlil, storm god of the armies, and the tip of his crown rends the clouds above their heads. "Wheresoever I rule, death comes shambling after. So it has always been, is, and will be."
It is a time when one’s spirit is subdued and sad, one knows not why; when the past seems a storm-swept desolation, life a vanity and a burden, and the future but a way to death. It is a time when one is filled with vague longings; when one dreams of flight to peaceful islands in the remote solitudes of the sea, or folds his hands and says, What is the use of struggling, and toiling and worrying any more? let us give it all up.
I'd say the best way to train someone is to remember that you have two ears and one mouth, and use them in that ratio. That's hard to do, and ultimately what we've learned is how many false positives you get from listening to what someone says they're going to do instead of observing what they actually do.
Being out on the water, you're very exposed. In the Amazon, one cause of death that's not uncommon is getting caught out in a storm. What people sometimes do is, they're out in the middle of the river, and the storm comes, so they go into the side of the river and a tree falls on top of them.
My liveliness is based on an incredible fear of death. In order to keep death at bay, I do a lot of "Yah! Yah! Yah!" And death says, "All right. He's too noisy and busy. I'll wait for someone who's sitting quietly, half asleep."
Your destiny grows clearer, Jason Grace. When the choice comes again- storm or fire- remember me. And do not despair.
To see the beauty of the world is to put your hands on lines that run uninterrupted through life and through death. Touching them is an act of hope, for perhaps someone on the other side, if there is another side, is touching them, too.
The words 'maybe' and 'perhaps' are literally the same - the flavor is the same, the educational level is the same. But you just know when to use maybe and when to use perhaps. I think it's because of this: You get to know the tastes or musical tastes of words themselves, and this informs your choice, whether you use them or not.
There is an hour of the afternoon when the plain is on the verge of saying something. It never says, or perhaps it says it infinitely, or perhaps we do not understand it, or we understand it and it is untranslatable as music.
When someone thinks they're good at something, you can use it against them, and that's what we did. We did the kiss of death.
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