A Quote by Nalini Singh
Have you ever made her angry?" If the cop said that he and his wife lived in a state of constant connubial bliss, Andrew decided he'd have full cause to throw a punch. Max raised an eyebrow. "Sure, I'm human." He slid the phone into the pocket of his suit pants and rose to his feet with a distinctly amused glint in his eyes. "Making up is the un part, in case you haven't figured that out yet.
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In the middle of a garden grew a rose tree; it was full of roses, and in the loveliest of them all lived an elf. He was so tiny that no human eye could see him. He had a snug little room behind every petal of the rose. He was as well made and as perfect as any human child, and he had wings reaching from his shoulders to his feet. Oh, what a delicious scent there was in his room, and how lovely and transparent the walls were, for they were palest pink, rose petals.
If you don’t need my backsight,” she said to Kaleb, “then why am I here?” He rose to his feet and, placing his hands on the table, leaned toward her until she could’ve reached out and run her fingers along his freshly shaven jaw. “You are here,” he said in a tone that made her heart thump wildly against her ribs, “because you belong to me.
"Death," said Akiva. His life was leaving him fast now that he no longer held his wound. His eyes just wanted to drift closed. "I'm ready." "Well, I'm not. I hear it's dull, being dead." She said it lightly, amused, and he peered up at her. Had she just made a joke? She smiled. Smiled. He did, too. Amazed, he felt it happening, as if her smile had triggered a reflex in him. "Dull sounds nice," he said, letting his eyes flutter closed. "Maybe I can catch up on my reading."
Grover wore his fake feet and his pants to pass as human. He wore a green rasta-style cap, because when it rained his curly hair flattened and you could just see the tips of his horns. His bright orange backpack was full of scrap metal and apples to snack on. In his pocket was a set of reed pipes his daddy goat had carved for him, even though he only knew two songs: Mozart's Piano Concerto no. 12 and Hilary Duff's "So Yesterday," both of which sounded pretty bad on reed pipes.
There was movement along the fringe of Chauncey's vision, and he snapped his head to the left. At first glance what appeared to be a large angel topping a nearby monument rose to full height. Neither stone nor marble, the boy had arms and legs. His torso was naked, his feet were bare, and peasant trousers hung low on his waist. He hopped down from the monument, the ends of his hair dripping rain. It slid down his face, which was dark as a Spaniard's.
God, I love you," he said, and laid his head on her belly, his arms locked around her hips. Madelyn slid her fingers into his hair. "It took you long enough," she said gently. "What I lack in quickness, I make up in staying power." "Meaning?" "That I'll still be telling you that fifty years from now." He paused and turned his head to kiss her stomach.
Startled, he loosed his grasp and she pulled free. He clutched her arm, but she spun around and pressed her mouth to his. His lips were rough, chapped. She felt the sting of fangs against her bottom lip. He made a sharp sound in the back of his throat and closed his eyes. Mouth opening under hers. The smell of him- of cold, damp stone- made her head swim. One kiss slid into another and it was perfect, was exactly right, was real.
When a guy says,'I'll call you,' and he doesn't say when-that means he won't call you." Kit pulled his phone out of his pocket and pressed a couple buttons. My phone vibrated in my pocket. I fished it out, smiling. "Madness," Kit whispered softly into his phone. "I meant I'd call you. This is me calling you.
All his words and actions would now be fit for his daughter’s ears and eyes. Life would be lived as if under [her] constant scrutiny. He would never do anything that might cause her pain or anxiety or embarrassment and there would be nothing, absolutely nothing in his life to be ashamed of anymore.
Miserable is the man who loves a woman and takes her for his wife, pouring at her feet the sweat of his skin and the blood of his body and the life of his heart, and placing her in the hands of the fruit of his toil and the revenue of his diligence; for when he slowly wakes up, he finds that the heart that he endeavored to buy is given away freely and in sincerity to another man for the enjoyment of its hidden secrets and deepest love.
It was the wife, John thought. And she was giving this tough guy a tongue-lashing. And the man was taking it. "Okay. I love you. Bye." Tohrment flipped the phone closed and put it in his pocket. When he focused on John again, he clearly respected his wife enough not to roll his eyes and make some macho, shithead comment about pesky women.
Max cuffed his brother good-naturedly on the ear as River slid in past him and bent to kiss Sophia on the cheek. “Hello, are you sure you’re with the right brother?” Sophia had never had a younger sibling. But this man with his laughing eyes and bright smile... “Are you making me an offer?
It was dark in the alcove, so dark that Jace was only an outline of shadows and gold. His body pinned Clary's to the wall. His hands slid down along her body and reached the end of her dress, drawing it up along her legs. "What are you doing?" She whispered. "Jace?" He looked at her. The peculiar light in the club turned his eyes an array of fractured colors. His smile was wicked. "You can tell me to stop whenever you want," he said. "But you won't.
The most abiding memory of visiting Lucian Freud's studio were his eyes, with the gimlet gaze of a Hooded Falcon. But he made for very relaxing company, quick to be amused at the world and his own peccadilloes. He enjoyed the seedy squalor of his rooms in a posh house in the most desirable part of Holland Park, and living up to his persona as an oddball bohemian.
Everybody lies...every day, every hour, awake, asleep, in his dreams, in his joy, in his mourning. If he keeps his tongue still his hands, his feet, his eyes, his attitude will convey deception.
The editor sat in his sanctum, his countenance furrowed with care, His mind at the bottom of business, his feet at the top of a chair, His chair-arm an elbow supporting, his right hand upholding his head, His eyes on his dusty old table, with different documents spread.
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