A Quote by Nalo Hopkinson
I'm looking for stories that make me sit up and take notice. For engagement with language and style in ways that the genre doesn't see enough of.
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What does it matter, if we tell the same old stories? ...Stories tell us who we are. What we’re capable of. When we go out looking for stories we are, I think, in many ways going in search of ourselves, trying to find understanding of our lives, and the people around us. Stories, and language tell us what’s important.
I feel like in the reading I did when I was growing up, and also in the way that people talk and tell stories here in the South, they use a lot of figurative language. The stories that I heard when I was growing up, and the stories that I read, taught me to use the kind of language that I do. It's hard for me to work against that when I am writing.
Language designers want to design the perfect language. They want to be able to say, 'My language is perfect. It can do everything.' But it's just plain impossible to design a perfect language, because there are two ways to look at a language. One way is by looking at what can be done with that language. The other is by looking at how we feel using that language-how we feel while programming.
If ever I think I've got something so important to say or share with the world that everyone else should sit up and take notice, I just remember who I really am: a pretty ordinary person who just happens to enjoy telling stories.
You're trying to make the language work, and your subconscious is being allowed to make the deeper, more profound connections. It's much better than going at it all frontally. But you can't conjure it in an intellectual way; it has to come out of another engagement, a more intuitive engagement. Revision is where the intellectual, analytical work happens. At least for me.
We love genre, but in film if you make a genre film it has to all be about the genre. We were excited to be able to tell more complex stories on television.
It is easy to sit up and take notice, What is difficult is getting up and taking action.
My whole way of looking at entertainment and audience engagement - and my ability to go from one genre to another - comes from my experience in New Orleans.
Everything in life is made up...You make up that you are happy. You make up that you are sad. You make up that you are in love. If you don't make up your own life, who's going to make it up for you? It's bad enough when you die and everybody can make up their own stories about you. —Mr. Hooft
As a mother, the one thing that always goes through your head is, You're never enough. You never can be enough - or do enough - for your kids. It's a never-ending issue for me. I had to learn: Don't beat yourself up so much.... You have to take it one day at a time, do the best that you can and enjoy yourself. I notice that if there are some times I've been stressed, because I'm human and stress about things, that affects your kids. So you have to make sure you're a happy mom so they can be happy.
All the characters are made out of words. With reading, I understand that the people aren't real but the fact that they are made out of language and are made out of words is extremely powerful to me. It becomes transformative for me. Different people have different ways of trying to make stories using language.
My favourite genre lies inside myself, and as I follow my favourite stories, characters and images, it sums up to a certain genre. So at times even I have to try to guess which genre a film will be after I've made it.
One cannot make up stories; one can only retell in new ways the stories one has already heard.
I think my books give people a language to have a conversation about God that's not religious. There isn't enough new literature that brings the conversation of God into a modern context. I love the Bible, but in the West we've analyzed it until it fits into a structure of control. We need more new stories. We need different ways of looking at things, and I think it's coming.
Growing up, I didn't have television. My dad would make up stories and tell me stories, so my imagination ran wild. When I did see films, which was very few and far between, that was such an interesting medium that was so new to me. It wasn't something that was just part of my life, so it was really appealing and so different that I enjoyed that.
I try to stay true to my style, and I understand the foundation of my style and where it came from. But at the same time, you take that experience and learn different ways to write, different ways to turn on that creative energy.
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