I did some really big films like 'Vaastav' with Sanjay Dutt, 'Pukar' with Anil Kapoor, and 'Jab Pyar Kissi se Hota Hai' with Salman Khan. But I didn't make any effort to cash in on their success.
I am inspired by the kind of films Raj Kumar Gupta and Imtiaz Ali make.
I started getting modelling assignments and that's how I became interested in acting. But my father, who last watched Dilip Kumar's ' Devdas,' wanted me to do MBA. I didn't listen to him and gave my audition for Yash Raj films' 'Mujhse Fraaandship Karoge' and got selected for it.
I was shocked when Raj Kumar Santhoshi approached me for 'Ghatak.'
I prefer working on films. I like the variety. There is nothing better than playing a bad girl for two months, then playing someone sweet for the next two. Films give you this opportunity.
I don't think there has been a huge shift. Most of the films still focus on Salman Khan, Shah Rukh Khan, Aamir Khan, Akshay Kumar, etc. The percentage of films that have someone like a Kangana Ranaut shining in it is really low.
By Ram Raj I do not mean Hindu Raj. I mean by Ram Raj, Divine Raj, the Kingdom of God.
I have grown up watching Satyajit Ray, Hrishikesh Mukherjee, Basu Chatterjee, Ritwik Ghatak, Raj Kapoor; listening to SD Burman, RD, Kishore Kumar and Salil Chowdhury.
I first read the 'Raj Quartet' in the early 1970s, when Paul Scott's decision to set his novels in the dying days of the British Raj in India seemed an eccentric choice, almost as though he did not want readers. The British were tired of their imperial past.
He was still dazed, and though she hated to admit it, he was actually rather attractive. If a girl happened to like that square-jaw, bright-blue-eyes, devilish-dimples kind of thing. Although he was in desperate need of a haircut and a good shave.
I was hoping for it to be possibly a movie career as I still would like to see that happen. I enjoyed making 200 Motels and did try out for a few things when I lived in LA, but nothing ever happened. I'm still hoping though.
I'm great at leaving. I am less talented at getting left, though I should be better, given how much it's happened.
The single difference between films for children and films for adults is that in films for children, there is always the option to start again, to create a new beginning. In films for adults, there are no ways to change things. What happened, happened.
I am a very close friend of Sanjay Dutt and people still remind us of our film 'Vaastav.'
Each film has its processes. It doesn't mean that all animated films have to be like "Boy and the World," but creators have to have total freedom. There are films that are born with the purpose to sell. They are still admirable films with great artists and great visuals, but we wanted to use a more radical approach to create art. That's what we tried to do.
Even though I write about the human race, the further away from them, the better I feel. Two miles is great; two thousand miles is beautiful.