A Quote by Nan Goldin
I think it killed my sister as the times she was living in were so conformist. This is a subject I really want to deal with. I want to start making films about female rage.
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Crime is a very hard genre to feminise. If you have a female protagonist she is going to be looking after her mum when she gets older; she is going to be worried about her brother and sister; she will be making a living while bringing up kids.
My sister is my little star, and I'm excited for her and proud of her. With her, I'm protective, but also I don't want to be that sister who's really pushy and thinks they know everything and making her feel like she doesn't know what she's doing. I'm trying to be that cool older sister and not the mom, but it's hard.
Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.
There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.
...because in a way it happened to someone else. I don't really speak that person's language anymore, and when I think about her, she embarrasses me sometimes, but I don't want to forget her, I don't want to pretend she never existed. So before I start forgetting, I have to get down exactly who she was, and exactly how she felt about everything. She was me a lot longer than I've been me so far.
A lot of times, films tell stories about the time we live in. So when making history, it´s just as important to give the female perspective as well as the male. We need female voices. Take a risk. Be personal.
Right now the tabloids are saying I'm pregnant, and they're naming the baby. It's hilarious. I don't know when I'll want to get married. I never pictured myself as a bride, but after my sister's wedding,I did start thinking about what kind of wedding I'd want. I don't think I want a big one.
What was nice about the nineties is that it was an example of music that responded to a desire of the times. It spoke to the social conditions of the times. Women were making more money. Women were saying, "My voice counts. If we're going out on a Friday night, I don't want to see a Rambo movie. I want to go see a singer/songwriter who sings about my life".
I've listened to 'Frank' so many times. She was so honest and herself. I think one of the hardest things for an artist to do is tell the truth, but that's what Amy Winehouse did, and it's what I want to do - if you want to write songs that connect with people, I think they really need to believe what you're talking about.
One of the major things I really want to work on now is female rage because that's not dealt with at all - and I have a lot of it.
I've seen men like you in Doris Day films, but I never thought they existed in real life...The men who can't commit, who can't say 'I love you' even when they want to, who start to cough and sputter and change the subject. But here you are. A living, breathing specimen. Incredible.
I don't want to constantly be making sacrifices. It feels like it's really difficult for the films I dream about making to turn up.
I think a lot about when times were simpler, when I was still dancing and living with my parents. I really miss living at home sometimes. I get really sad.
I'm not particularly interested in working with movie stars. It depends on where you come from, I suppose. Why are you making films? The reason I want make films is because they convey ideas. I think some directors make films because they want to hang out with movie stars and be part of Hollywood. They want to be a star themselves.
Think about the number of times someone will say to herself, "I want to get out of this circumstance, but I'm too afraid. I'll lie about how happy I am in this marriage, and I'll put up a front." But she's betraying everything that's in her heart. She's making choices that are harming her, and that's why she's hurting. Her intuition is trying to tell her that.
I’m a bit of an expert on anger, having suffered from it all through my youth, when I was both brunt and font. It’s certainly the most miserable state to be in but it’s also tremendously gratifying, really—rage feels justified. And it’s an excellent substitute for action. Why would you want to sacrifice rage to go about the long, difficult, dreary business of making something more tolerable?
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