A Quote by Nan Goldin
That's where I got the idea to paint the walls of the gallery with varied colours [at the Whitechapel show]. I tried to figure out how all these Renaissance paintings manage to work together.
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Management is getting people together to figure out how to transform inputs into outputs. In the process of figuring out the process of how people work together, you've got to figure out who's got what responsibilities, and how do they work together.
I don't paint over my paintings with black paint. I paint black paintings. It isn't because I'm sad, just as I didn't paint red paintings yesterday because I was happy. Nor will I paint yellow paintings tomorrow because I'm jealous.
I enjoy thinking about how paintings can change depending on where they are - how they look in a gallery or in relation to other paintings, or in different rooms. Paintings can change the way we experience and see the world.
What I find fascinating is the idea that we all have a physical brain, but we also have this mental part, and we have to figure out how they work together.
Some people would say my paintings show a future world and maybe they do, but I paint from reality. I put several things and ideas together, and perhaps, when I have finished, it could show the future.
When I paint figures it's never the idea of painting the beauty of the figure, it is using the figure to get across how I feel.
The plan was just to make great art, and working with Donald Glover, who is such a renaissance man, we've been working together for ten years, and he is always pushing the envelope in a way - like, whenever we work together, I have no idea what it is going to turn out to be.
When you put a new show out, you always have a few kinks that you need to iron out, and you need to dial your show in. You figure out over a couple of weeks what songs work well together and what songs may not have the impact you thought they would at that spot in the show.
Depending on your figure, you may use clothes and colours to highlight your assets or otherwise. Darker shades always make you look slimmer while bright colours or prints can highlight your figure. Using colours to enhance your look is the easiest and smartest way to play with your figure.
In the studio, it took me a long time to work out how to make paintings that had the intensity that I was able to create by painting whole rooms. There is a very limited number of colours but there are many variations. I decided to use the purest palette that I could.
The clean clear colours were in my head. But one day as I looked at the brown burned wood of the Shanty, I thought 'I can paint one of those dismal-coloured paintings like the men. I think just for fun I will try - all low-toned and dreary with the tree besides the door.' In my next show, 'The Shanty' went up. The men seemed to approve of it. They seemed to think that maybe I was beginning to paint. That was my only low-toned dismal-coloured painting.
Van Gogh was asked how he created such beautiful paintings. He said I dream my paintings and then I paint my dreams.
Urs Fischer specializes in making jaws drop. Cutting giant holes in gallery walls, digging a crater in Gavin Brown's gallery floor in 2007, creating amazing hyperrealist wallpaper for a group show at Tony Shafrazi: It all percolates with uncanny destructiveness, operatic uncontrollability, and barbaric sculptural power.
Emotion that I experienced on first seeing the fresh paint come out of the tube.. ..the impression of colours strewn over the palette: of colours - alive, waiting, as yet unseen and hidden in their little tubes...
I was struggling to figure out how to combine the abstract and the representational. Painting, I suddenly understood how that aesthetic could fit together. That was a really fun game to figure out how that worked.
The first exhibition that I used bright colours in painting the room was at a gallery in Paris, and there were seven rooms in the gallery. It was very nice gallery, not very big rooms, around the courtyard, it was a very French space. So I painted each room in different colour. When people came to the exhibition, I saw they came with a smile. Everybody smiles - this is something I never saw in my work before.
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