A Quote by Nan Kempner

You don't want to buy a surprise, because then the surprise is how awful it looks on you. — © Nan Kempner
You don't want to buy a surprise, because then the surprise is how awful it looks on you.

Quote Author

Nan Kempner
July 24, 1930 - July 3, 2005
I've never had a surprise birthday party. I've had every other type of surprise. I've had surprise beatings, surprise drug tests, surprise daughter I think.
Humor has to surprise us; otherwise, it isn't funny. It's a death knell for a writer to be labeled a humorist because then it's not a surprise anymore.
Humor is based on surprise, and surprise is a milder way of saying shock. It's surprise that makes the joke.
Generally my typical books have lots of twists and turns a big surprise ending and then usually another surprise at the end and ideally, as in Garden of Beasts, we get to the very end and we find at the last few pages that there's yet another surprise.
The idea of surprise is part of what makes something funny, or what gets a reaction. At least when I'm an audience member, after you hear a joke so many times it's not as funny because it loses its surprise or its twist. So I think funny has to do with surprise.
I once threw myself a surprise party on Twitter because I was lonely. It was awesome. Thousands of people showed up and then Wil Wheaton and I made a bunch of monkey-ponies. It was the most successful surprise party I've ever thrown in my life. It was also the only surprise party I've ever thrown in my whole life.
There's some [films] where I do a lot of homework and then there's some, where it's supposed to take you by surprise. So you kind of just want to get in there and have everything take you by surprise rather than just have him tell you how everything went down.
The thing about a cartoon is, you can do whatever you want. The tightrope that we are walking on 'The Simpsons' and 'Futurama' is "How do you continue to surprise the audience, but make them good surprises?" Not every surprise is good, but you want to continue jolting people.
The thing about a cartoon is, you can do whatever you want. The tightrope that we are walking on 'The Simpsons' and 'Futurama' is 'How do you continue to surprise the audience, but make them good surprises?' Not every surprise is good, but you want to continue jolting people.
You might ask yourself why you want to surprise your readers in the first place. A surprise ending is sort of like a surprise party. Probably some people, somewhere, enjoy having friends and trusted colleagues lunge at them in the sudden blinding light of their own living room, but I don't think most of us do.
[Sex] is really awkward. You know you have expectations and then it's this great moment of connection and it's a surprise. But that's what so exciting about it is that sense of surprise.
I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time. And then you can really surprise yourself. There's that cliche, "No surprise for the writer, no surprise for the reader!"
The eye is made to see and not to think.... A good photograph is a surprise. How could we plan and foresee a surprise? We just have to be ready.
I can't imagine, I can't get in the mind of a wrestling fan who wants to break news that spoils a surprise for somebody. Would you want a surprise spoiled?
Then the challenge is, once you left brain it and build it, then when you're on stage you have to know it so well that you can get lost in it. I don't want to be onstage looking like a robot, I want to be at the end of the day very emotional and what feels like someone being up there rather than reciting things. That's always the challenge, to analyze and then somehow lose yourself in something you absolutely know backwards and forwards. And nothing's going to surprise you, but you have to be surprised by it and let it surprise you.
The essence of comedy, drama, and horror is surprise. I have an uncanny ability to surprise people because they look at my face, and they don't know where I'm going.
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