A Quote by Nana Mouskouri

With my songs I tried to prove that there is love. — © Nana Mouskouri
With my songs I tried to prove that there is love.

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Now somebody will ask me, Pete, how can you prove these songs really make a difference? And I have to confess I can't prove a darn thing, except that the people in power must think they do something, because they keep the songs off the air.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
I never tried to prove anything to someone else. I wanted to prove something to myself.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
I love deeply, and when it comes to singing love songs and something that I have no problem doing, I put all of my heart and soul into these love songs. I know my fans out there are listening, taking these songs to heart. Like I say, they're relating these songs to their lives, too, and their relationships.
In argument similes are like songs in love; they describe much, but prove nothing.
'T is said that absence conquers love; But oh believe it not! I've tried, alas! its power to prove, But thou art not forgot.
As a song writer when I first was aware of the Beatles and started, you couldn't avoid hearing it, not that I, I tried. And what, what struck me was not so much the songs or the part of the songs that, that seemed unique to me were, was more melodic at the beginning than, than the lyrics because they were still talking about, you know, I love you, I don't love you and I need you or don't need you.
That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
I also tried to focus on songs that Billie Holiday wrote, songs that she had a hand in shaping, like "Strange Fruit"; songs that were written for her or songs that she wrote herself, like "Fine and Mellow" or "God Bless The Child."
I've always tried to get around writing love songs, I guess because I've always had a hard time saying, 'I love you.'
There are enough really good love songs and I don't even know if I could write one if I tried.
On 'Heartbreaker,' I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs. With 'Gold,' I was trying to prove something to myself. I wanted to invent a modern classic.
With all the media attention, all the love from the fans, I felt I needed to prove myself. Prove that I'm not a marketing tool, I'm not a ploy to improve attendance. Prove I can play in this league. But I've surrendered that to God. I'm not in a battle with what everybody else thinks anymore.
I tried to write poems in rhyme. I tried writing songs. Sometimes I jotted down a thought. I would keep a log of spontaneous thoughts.
I've always kind of tried to do something that was a little different than just simple 'I love you, baby'-type songs.
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