A Quote by Nana Patekar
Whether we have a new or an old director doesn't affect my work.
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What I like in pictures whether by an old director or a young director is when I have the feeling he or she is really using the capacity of film.
The ability to make new work from old work - especially if that new work is different enough that it doesn't dent the market for the old work - is something that benefits all creators, since so few can claim not to have a giant or 10 supporting them underneath.
It does not feel any different being directed by a first-timer as long as I am convinced that the director is passionate about the film he or she is making. If you get a sense of their vision for the film and their aesthetics of your performance, then it does not matter whether you work with a new or an experienced director.
I think that no matter what you do, whether you rodeo, whether you work in an office, you work in the oilfield or you play music for a living, eventually if you do enough of it, the devil in the back of your head tries to turn it into work. You have to find new ways to make it new and make it exciting to keep that drive there.
Be yourself. Forget about whether you are male or female and just work hard to become a director who truly knows her craft and the direction she wants the film to go. People respect a director for her work regardless of her gender.
Every new director you work with, brings in something new and has perhaps cast you because your last work was good.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
In order to make room for the new (whether it's new clothes or new thoughts and ideas), we must release the old and the outworn.
It's a lucky circumstance when you get to usher in new work, because you are able to ask the playwright and the director (who in a new work is always in dialogue with the playwright) an unlimited amount of questions.
Each time these pioneers expanded into new realms, they discovered the old ways wouldn't work. Whenever a new domain was inhabited by humans, old survival patterns were left behind and new patterns created.
Conversion is not a repairing of the old building, but it takes all down, and erects a new structure... The sincere Christian is quite a new fabric, from the foundation to the top-stone. He is a new man, a new creature; all things are become new. Conversion is a deep work, a heart work. It makes a new man in a new world. It extends to the whole man, to the mind, to the members, to the motions of the whole life.
How we understand our own selves and how we work with our DNA software has implications that will affect everything from vaccine development to new approaches to antibiotics, new sources of food, new sources of chemicals, even potentially new sources of energy.
I work full-time, whether it's on 'All In,' my own show, whether it's Ring of Honor, whether it's New Japan - I make every show.
The Caribbean is such an apocalyptic place, whether it's the decimation of the indigenous populations by the Europeans, whether it's the importation of slaves and their subsequent being worked to death by the millions in many ways, whether it's the immigrant processes which began for many people, new worlds ending their old ones.
I like to adapt to a director's way of working. I love doing that. Each director is so different, and you have to adapt to this new way of doing something. That's what's amazing to me. That's why I love directors. I don't want to director to have to work around me. I think it's more fun for me to come in on their thing.
I just realized that I need to be a director - for two reasons. One, directors were already my heroes at this point. I wanted to; when I wanted to be an actor I wanted to work with this director. Not work with this actor, I wanted to work for this director.
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