A Quote by Nancy A. Collins

Horror serves a cathartic role in human society, all throughout the world. It is a way of confronting the darkness, both within and without. — © Nancy A. Collins
Horror serves a cathartic role in human society, all throughout the world. It is a way of confronting the darkness, both within and without.
There should be an expanded role in this society for every human being. I see an expanded role for the human spirit, for excellence, for virtue, and for creativity - within women, and within everyone.
The notion is that human beings are born, (as my Guru has explained many times,) with equivalent potential for both contraction and expansion. The ingredients of both darkness and light are equally present in all of us, and then it's up to the individual (or the family, or the society) to decide what will be brought forth - the virtues or the malevolence. The madness of this planet is largely a result of human being's difficulty in coming into virtuous balance with himself. Lunacy (both collective and individual) results.
The world without is a reflection of the world within. What appears without is what has been found within. In the world within may be found infinite wisdom, infinite power and infinite supply of all that is necessary, waiting for unfoldment, development and expression. If we recognize these potentialities in the world within they will take form in the world without.
It is incumbent upon philosophy ... to provide a refuge for freedom. Not that there is any hope that it could break the political tendencies that are throttling freedom throughout the world both from within and without and whose violence permeates the very fabric of philosophical argumentation.
I am always talking about the human condition and about American society in particular: what it is like to be human, what makes us weep, what makes us fall and stumble and somehow rise and go on from darkness into darkness and that darkness carpeted.
All grandeur, all power, and all subordination to authority rests on the executioner: he is the horror and the bond of human association. Remove this incomprehensible agent from the world and at that very moment order gives way to chaos, thrones topple and society disappears.
Christians have an important role to play in contending that no human life is "devoid of value." We can do so through courageous protest, as happened in Germany, as well, as in compassionate care for the most vulnerable members of society, as Mother Teresa did. In both approaches theology - what one believes about God and human life - matters. The world desperately needs that good news.
Talking about darker stuff from my life was definitely very cathartic and at times confronting.
I think a writer is a describer. She describes society and human nature as she sees it. She has to be both typical of that society and alone within it.
There is darkness without and when I die there will be darkness within. There is no splendor, nor vastness anywhere; only triviality for a moment and then nothing.
There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don't understand. Internal is the human heart.
Every human being should know two languages: the language of society and the language of signs. One serves to communicate with other people, the other serves to understand God's messages.
Human nature is divided; it contains both darkness and light. You can choose to accept the darkness and lament it, or you can choose to expand the light until the darkness no longer dominates.
In every human society of which we have any record, there are those who teach and those who learn, for learning a way of life is implicit in all human culture as we know it. But the separation of the teacher's role from the role of all adults who inducted the young into the habitual behavior of the group, was a comparatively late invention. Furthermore, when we do find explicit and defined teaching, in primitive societies we find it tied in with a sense of the rareness or the precariousness of some human tradition.
I think the Bhagavad Gita is about both the forces of light and the forces of darkness that exist within our own self, within our own soul; that our deepest nature is one of ambiguity. We have evolutionary forces there - forces of creativity, and love, and compassion, and understanding. But we also have darkness inside us - the diabolical forces of separation, fear and delusion. And in most of our lives, there is a battle going on within ourselves.
Horror itself is a bit of a bullied genre, the antagonist being literary snobbery and public misconception. And I think good horror tackles our darkest fears, whatever they may be. It takes us into the minds of the victims, explores the threats, disseminates fear, studies how it changes us. It pulls back the curtain on the ugly underbelly of society, tears away the masks the monsters wear out in the world, shows us the potential truth of the human condition. Horror is truth, unflinching and honest. Not everybody wants to see that, but good horror ensures that it's there to be seen.
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