A Quote by Nancy A. Collins

Vampires are handy characters, as they can do double duty as monster/villains and the classic, misunderstood romantic hero. — © Nancy A. Collins
Vampires are handy characters, as they can do double duty as monster/villains and the classic, misunderstood romantic hero.
Namor has shades of grey but always ends up doing the right thing. I've played characters with an edge - played villains if not super villains - and he's an anti-hero.
The monster does not need the hero. it is the hero who needs him for his very existence. When the hero confronts the monster, he has yet neither power nor knowledge, the monster is his secret father who will invest him with a power and knowledge that can belong to one man only, and that only the monster can give.
Fortunately, we have writers who very much respect the classic characters and the integrity of the classic characters, that are also terrific comedy writers and are able to put these classic characters in new and interesting, and quite funny situations for today.
But other vampire stories? Well, no, I really haven't read too many, and I can't say I'm crazy about romantic vampires anyway - to me the vampire is simply an evil monster.
I have always found myself playing the hero, but I love villains. Villains have more fun.
It's just, "Hey,[Barack] Obama's the hero, and he wants Obamacare," and so the coverage is totally devoted to whether or not Obama's gonna get it. Now, in that scenario, who are the villains?Well, your good old, reliable Republicans are the villains, and they are always portrayed as the people trying to deny our beloved hero what he wants.
I loved Debussy, Stravinsky, Chopin, Tchaikovsky, anything with romantic melodies, especially the nocturnes. Nietzsche was a hero, especially with 'Thus Spoke Zarathustra.' He gets a bad rap; he's very misunderstood. He's a maker of individuals, and he was a teacher of teachers.
So yes, this is a show about an adolescent girl, her friends, and various vampires. Vampires writing in diaries, vampires attending high school, vampires investigating various mysterious supernatural events, vampires tormenting each other, vampires eavesdropping on each other, and vampires being sarcastic about other vampires' hairstyles. Vampires embracing every possible opportunity to take off their shirts.
I was thinking about vampires and, specifically, about what makes vampires a romantic trope: about what people like about not just vampires but supernaturally long-lived creatures in general, which is a thing that shows up in probably fifty to sixty percent of paranormal romances... And then, for some reason, I decided to reverse it.
Villains are as important as the hero. Without the right villain, the hero isn't heroic enough.
I loved Debussy, Stravinsky, Chopin, Tchaikovsky, anything with romantic melodies, especially the nocturnes. Nietzsche was a hero, especially with Thus Spoke Zarathustra. He gets a bad rap; hes very misunderstood. Hes a maker of individuals, and he was a teacher of teachers.
The other thing is we have an incredible villain. And we worked very hard to have villains that are connected to the hero. They have an effect, an emotional effect. They never become out-of-this-world, crazy villains.
Well, I think there are no villains in this world. There are just misunderstood heroes.
My favorite classic novel may be 'The Invisible Man.' It's smart and genuinely funny. Otherwise, my favorite character is probably Frankenstein's Monster/Frankenstein the Monster.
One thing that's a lot harder to put into stories than you'd think is the idea of a traditional monster, because monsters with a capital 'M' don't inherently lend themselves to a story about your character. Unless one of your characters is themselves the monster, simply having a monster leads to a chase or a hunt.
I think the idea, first and foremost, is to understand that people may label these characters as villains, but at the end of the day I have to fall in love with the characters that I play. For me, they have to be real characters with real objectives, and driving forces. So they're all different.
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