A Quote by Nancy Allen
If I could play any role in any musical, it would be Desiree in 'A Little Night Music' - Oh my, it is perfection. The character gets to be funny, beautiful, sexy and smart all at the same time and have two men fighting over her. The show is Stephen Sondheim at his absolute best... need I say more?
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If I could play any role in any musical, it would be Desiree in A Little Night Music - Oh my, it is perfection. The character gets to be funny, beautiful, sexy and smart all at the same time and have two men fighting over her. The show is Stephen Sondheim at his absolute best... need I say more?
That's the only show where, if anyone says to me, 'Is there a role you want to play?', I say, yeah, I want to play Sweeney Todd. Stephen Sondheim's so clever; it's a profoundly brilliant piece of work.
Popular music of the last 50 years has failed to keep in step with advances in musical theater, namely Stephen Sondheim. But the two have grown apart so that popular music is based more than ever on a rhythmic grid that is irrelevant in musical theater. In popular music, words matter less and less. Especially now that it's so international, the fewer words the better. While theater music becomes more and more confined to a few blocks in midtown.
The thing about Stephen Schwartz is that, while it may be difficult to learn - it's a little bit like[Stephen] Sondheim; Sondheim is quite difficult to learn - but, once you have it in you: it never leaves you. It becomes some of your favorite music; it really does.
To my taste, the men in Rome are ridiculously, hurtfully, stupidly beautiful. More beautiful even than Roman women, to be honest. Italian men are beautiful in the same way as French women, which is to say-- no detail spared in the quest for perfection. They’re like show poodles. Sometimes they look so good I want to applaud.
Oh diary, I love her, I love her, I love her so much. Jordana is the most amazing person I have ever met. I could eat her. I could drink her blood. She's the only person I would allow to be shrunk to microscopic size and explore me in a tiny submersible machine. She is wonderful and beautiful and sensitive and funny and sexy. She's too good for me, she's too good for anyone! All I could do was let her know. I said: "I love you more than words. And I am a big fan of words.
As a person, Stephen Sondheim is a very funny, very dry and very shy man. I've never witnessed any diva-ish moments, he just always seems so thrilled people are doing his work.
I'm very, very sad to say that the only Sondheim show I've done is "A Little Night Music" and it was when I was in college.
My notion about any artist is that we honor him best by reading him, by playing his music, by seeing his plays or by looking at his pictures. We don't need to fall all over ourselves with adjectives and epithets. Let's play him more.
I've always said people say on a dramatic show, 'I was crying. It was so emotional when he went and grabbed that little girl from a burning building and handed her over to her mother.' In comedy, the best thing you can say is, 'I think it's funny.'
It's so funny. I honestly thought every one of those people on the show could beat anyone at any time anywhere. You just have to have a slightly off day or moment or two or you missed a touch of acid. It has nothing to do with credentials. Anyone could've chopped anyone at any time. I had to look at myself as the one who could lose this the most.
Since I do seven different styles of martial arts, I don't foresee myself fighting the same in any two movies. I think every fighting style should fit the character that's doing the fighting.
When I was just starting out, I had two choices: I could be the beautiful girl on the main man's arm as decoration, or I would have to do a little independent movie to get any depth in the female character.
You would probably think that rock music is an urban phenomena, but the main reason for doing it in '68 was so that we could play music very loud any time of the day or night without getting complaints from the neighbours.
'MacGyver' of course, that's probably my favorite show of all time because it was a guy who was so, so smart and could use his wits, and his technical know-how could get him out of any situation.
At the time, I used to say, "We should market this like Everybody Loves Raymond. It's just a guy dealing with his family." Instead, it was irresistible to show all these funny people. So, I actually think this could be more inviting to a new audience because they can just watch one character, find out what's going on in his life, and then meet another character and find out what's going on in her life, and then see how it intersects the other one.
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