A Quote by Nancy Bird Walton
As a four-year-old, my mother told me I was climbing the fence, jumping off and calling myself an 'eppyplane'... I bought books on aeroplanes, I followed everything in the newspapers about aeroplanes. Amy Johnson flew to Australia in 1930 - why couldn't I do something like that?
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I flew aeroplanes, parachuted, walked on my own across the Himalayas - you name it; if it was dangerous, I did it.
I am afraid of aeroplanes. I've been able to avoid flying for some time, but I suppose, if I had to, I would. Perhaps it's a case of a little knowledge being a dangerous thing. At one time, I had a pilot's licence and 160 hours of solo time on single-engine light aircraft. Unfortunately, all that seemed to do was make me mistrust large aeroplanes.
Why are there no windows in the toilets on aeroplanes? To protect you from the most dedicated perverts on the planet, hanging off the wing to get a peep?
Before I went to the Mess I made the excuse I wanted to get something out of my aeroplane, and climbed into the cockpit; I did this, however, to be able to say good-bye to the old dear; and I really felt dreadfully sorry to part with her. I get very attached to aeroplanes, and I am one of those people who think that they aren't so inanimate as we are told they are.
I can't be bought with money. If someone calls me and asks me to work for them for three or four years, and they'll pay me well to build their vacation home, I ask myself why I should work three or four years on something like that.
I asked people who have already finished books for advice, which is akin to asking a mother with a four-year-old what childbirth is like.
I liked blues from the time my mother used to take me to church. I started to listen to gospel music, so I liked that. But I had an aunt at that time, my mother's aunt who bought records by people like Lonnie Johnson, Robert Johnson, Blind Lemon Jefferson, and a few others.
I liked blues from the time my mother used to take me to church. I started to listen to gospel music, so I liked that. But I had an aunt at that time, my mother's aunt, who bought records by people like Lonnie Johnson, Robert Johnson, Blind Lemon Jefferson and a few others.
What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.
You do wonder - when you are at 28,000 feet, the height that aeroplanes cruise at, when you are struggling to draw breath and every limb aches - why do I do this?
Oh, give me land, lots of land under starry skies above. Don't fence me in. Let me ride through the wide open country that I love Don't fence me in Let me be by myself in the evenin' breeze And listen to the murmur of the cottonwood trees Send me off forever but I ask you please Don't fence me in
I never did like the idea of sitting on newspapers. I did it once, and all the headlines came off on my white pants. On the level! It actually happened. Nobody bought a paper that day. They just followed me around over town and read the news on the seat of my pants.
I was a loner as a child and happiest at home, launching toy rockets and aeroplanes. When I started causing trouble in my third year at grammar school, Mum was really surprised. My parents sent me to a child psychologist, who suggested I might have Asperger's syndrome.
Aeroplanes interested me, and at the outbreak of the Second World War, I joined the RAF as a volunteer reservist. I took the opportunity of studying the books which the RAF made available for radio mechanics and looked forward to an interesting course in radio.
Why a four-year-old child could understand this report. Run out and find me a four-year-old child. I can't make head nor tail out of it.
And I told you: I think of a photograph you took of me, up in Montreal. You told me to jump in the air, so in the picture, my feet are off the ground. Later, I asked you why you wanted me to do that, and you told me it was the only way to get me to forget about the expression on my face. You were right. I am completely unposed, completely genuine. In my mind’s eye, I picture myself like that, reacting to you.
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