A Quote by Nancy Cartwright

I don't use the voice of Bart when I'm making love to my husband, but Marge's voice turns him on a little. — © Nancy Cartwright
I don't use the voice of Bart when I'm making love to my husband, but Marge's voice turns him on a little.
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
I had to get the voice back, the precise pitch of Sid's voice and I'd forgotten that I'd pitched him higher than my regular voice, so that was a little difficult to begin with. It was especially hard because we started recording in the morning so I had to warm up a lot and my usual voice is a little more gravelly.
Ladies, use a loving voice, use a respectful voice, use a godly voice, but don't lose your voice.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
Children have very little voice, and the coroner's inquest is about Luke's voice, and making sure Luke is heard and respected and honoured. I don't want him to have died in vain.
Of course I've been in love and I married the man that I love. It was love at first voice because I spoke to him on the phone before I met him. I did fall in love with his voice.
I remember I could do - I did Bart Simpson once on the bus. I did, like, a really good Bart Simpson voice on the bus, obviously before I hit puberty. And everybody went, 'Whoa, that sounds just like Bart Simpson.'
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.
Mark Twain is a voice of truth and a voice of equality and a voice of tolerance. Which means he is a voice of love.
The artist, and particularly the poet, is always an anarchist in the best sense of the word. He must heed only the call that arises within him from three strong voices: the voice of death, with all its foreboding, the voice of love and the voice of art.
I'll never feel as comfortable singing as I do playing. The mandolin is my real voice. My actual voice is sort of my secondary voice, but I love to do it and I love giving people relief from playing with a little bit of singing.
The voice is certainly important and you can hear if it's beautiful or not, it's the gods who decide; it's more a question of what you do with the voice, which is the mysterious element. It's the personality behind the voice which makes the artist. The voice is a gift of God, but if you're not able to use this gift, what's left? Nothing but a beautiful voice, without nuance or color.
I didn't use a voice change to do Bilbo. I have a distinctive voice anyway. I did an attitude change, making Bilbo kind of fussy - fussy and proper - then gradually dropped the fussiness and properness as the madness of battle really affects him.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
Nowadays, people in the entertainment industry can have a louder voice than politicians, and I think its important that they use that voice to say something positive or to give a voice to somebody thats had theirs taken away.
Nowadays, people in the entertainment industry can have a louder voice than politicians, and I think it's important that they use that voice to say something positive or to give a voice to somebody that's had theirs taken away.
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