A Quote by Nancy Garden
It's Annie and me they're all sitting around here like cardboard people judging; It's Annie and me. And what we did that they think is wrong, when you pare it all down, was fall in love.
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I love Diane Keaton's style in 'Annie Hall,' but I like to think my own style is like a cross between 'Annie Hall' and Prince.
Liza-don't let it make any difference. It won't, will it? With us, I mean." "Of course it won't," I told her. But I was wrong. Six months of not writing-that's a difference. And so I lied to Annie. On top of everything else, I lied to Annie, too.
My father is a silent cinema freak, so he took me to 1925 silent films that took forever, like 5-hour movies, but I've seen a lot of that stuff since I was young. And then I saw the film 'Annie,' and I just wanted to be Annie; I just wanted to be that orphan kid and wanted to sing and dance.
Finnick:" Good to see you, Peeta." Peeta:" You be nice to her, Finnick. Or I might try and take her away from you." It could be a joke, if the tone wasn't so cold. Everything it conveys is wrong. The open distrust of Finnick, the implication that Peeta has his eye on Annie, that Annie could desert Finnick, that I do not even exist. Finnick:"Oh Peeta," says Finnick lightly. "Don't make me sorry I restarted your heart.
Did you love Annie right away, Finnick?" I ask. "No." A long time passes before he adds, "She crept up on me.
When I was six years old my friend was auditioning for 'Annie,' and I decided I wanted to audition with her. My mom was worried I would fall flat on my face because I'd never opened my mouth to sing, so she sent me to vocal lessons. I did the audition and fell in love with the entire process of a show.
I'll take you to Mickey D's," said Sean. "I'll buy you a hamburger." Annie was not thrilled. Sean's offer did not compare to offers made in other centuries. "And fries," Sean said. "And a vanilla milkshake." Annie remained unthrilled. "Okay, okay. You can have a Big Mac." Romance in my century, she thought, is pitiful.
Did you ever see so many pee-wee hats, Carl?" "They're beanies." "They call them pee-wees in Brooklyn." "But I'm not in Brooklyn." "But you're still a Brooklynite." "I wouldn't want that to get around, Annie." "You don't mean that, Carl." "Ah, we might as well call them beanies, Annie." "Why?" "When in Rome do as the Romans do." "Do they call them beanies in Rome?" she asked artlessly. "This is the silliest conversation.
Once upon a Lammas Night
When corn rigs are bonny,
Beneath the Moon's unclouded light,
I held awhile to Annie...
The time went by with careless heed
Between the late and early,
With small persuasion she agreed
To see me through the barley...
Corn rigs and barley rigs,
Corn rigs are bonny!
I'll not forget that happy night
Among the rigs with Annie!
I can't not have something attached to like what actually happens in real life. Like I can't do a romantic comedy without there being something where like, in the case of Annie Hathaway's character, her character ends up having Parkinson's, you know? To me, I feel like that's love, you know? Like to me. So every movie has to have that kind of sense of that.
I used to dance around the house and taught myself the 'Annie' soundtrack. I got into singing and fell in love with it.
Everyone around me was super-cool and laid back and skinny and tan and volleyball-y, and I was just this neurotic kid who was singing 'Annie Get Your Gun.'
The movies that I love and model after, like 'Annie Hall,' 'When Harry Met Sally,' and in particular for me, 'Broadcast News,' are the tone of life, which isn't a setup punch-line every two minutes.
Maybe we ought to look at a guy's response to our microwave from now on." Aunt Annie said. Really." Mom said. "The narcissist looks at his reflection in it. The OCD guy thinks you don't keep it clean enough.The antisocial--" Puts his fist through it because it reminds him of his father." Annie said. She'd read all of mom's books, too. And the paranoid one would be jealous of the amount of time you spend cooking." Mom said Were you using that microwave again? Is something going on between the two of you? I caught you looking right at its clock." Annie said.
When I got to the stage, it was like a release, you know what I mean? Because it was like, 'Oh, people like me. People like me. They're listening to what I have to say. They're not judging me on how I look; they're judging me on what I'm saying.' So to me, that's what's worth it, and that's what comedians have.
When I was ten, I did my first show. It was 'Annie.'
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