A Quote by Nancy Hale

The more specific you are, the more universal you are. — © Nancy Hale
The more specific you are, the more universal you are.
The more uncompromisingly specific you are the more you end up touching the bigger universal truths.
The magic of fiction seems to be the more specific you are, the more universal you end up becoming.
Great art, the more specific you are, the more universal it becomes, and that's the thing that I loved about 'The Wire.'
I've always thought that, in a sense, the more specific and sometimes even the smaller the world of a movie is, the more universal it is.
The more specific we are, the more universal something can become. Life is in the details. If you generalize, it doesn't resonate. The specificity of it is what resonates.
There's always to me a universality - one of the things I learned early on as a journalist and a writer is that there's a universality in specifics. The more specific you get, the more universal it can be.
I am laying out a specific agenda that will make more progress, get more jobs with rising incomes, get us to universal health care coverage, get us to universal pre-k, paid family leave and the other elements of what I think will build a strong economy, that will ensure Americans keep making progress. That's what I'm offering and that's what I will do as president.
Things that feel super personal actually feel really universal. It's sort of the more you really identify something specific within yourself, the more people connect to it because ultimately we are all connected in some way.
Recognizing and uniting with the universal therefore gives us the greatest aesthetic satisfaction, the greatest emotion of beauty. The more determinately (consciously) this recognition is experienced, the more intense our happiness. The more determinately (consciously) this union with the universal is felt, the more individual subjectivity declines.
Silent films are fairytales. All stories are more or less fairytales, and removing speech makes everything more universal. It makes specific characters stand in for everybody, so actions take on fairytale significance. And the writing has to be pared down to represent people as types, too.
I've tried to make music that's more universal, but for me, it's most successful emotionally when it's most specific to what I'm going through.
I have a specific set of, I have a specific sort of negative energies to deal with that might be specific to me, but it definitely something that all artists have to deal with at one point or another. But I think for me, it's just maybe more specific.
We discovered this halfway through the process. When we started making the film there were some lines of dialogue in Portuguese, but we then changed our minds. The film started from very specific issues in the world, in particular Latin America, but halfway through the journey we felt the necessity to have more universal ideas that were not so specific.
I think what Hollywood is learning at large is that there is profitability in stories that are culturally specific and that you can only address the universal through the specific.
Never had the sky been more studded with stars and more charming, the trees more trembling, the odor of the grass more penetrating; never had the birds fallen asleep among the leaves with a sweeter noise; never had all the harmonies of universal serenity responded more thoroughly to the inward music of love; never had Marius been more captivated, more happy, more ecstatic.
You know, there's a saying in art that in order to be universal you must be specific. So I think every artist feels that he is dealing with specific things but that it also has significance universally.
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