A Quote by Nancy Horan

'Loving Frank' is about a forbidden love affair between two people who lived a hundred years ago - Frank Lloyd Wright and his married client, Mamah Borthwick Cheney. The affair set off a colossal newspaper scandal when the lovers ran off to Europe together.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
In the early work of Frank Lloyd Wright - and you can also see it with Mies - they make new ground by raising the ground. Frank Lloyd Wright did it so beautifully with the Robie House. The roof becomes almost a new ground.
Frank Lloyd Wright... his things were beautiful but not very functional.
My grandfather Frank Lloyd Wright wore a red sash on his wedding night. That is glamour!
In 'Forbidden Love,' my character is a divorcee who has an affair with a young doctor. They are blissfully happy and have everything going for them. But their peers, friends, her daughter, and his family disapprove, and the affair ends.
One time we were having dinner and some guy came by and took a potato off of Frank Sinatra's plate. And Frank said, “Hey pal, are you hungry?” The guy says, “yeah.” Frank said, “Sit down.” And he gave him his dinner. I thought for sure there was gonna be trouble from the guys surrounding Frank, but Frank says, “Jeez, relax, the man's hungry.”
The Christian religion, then, is not an affair of preaching, or prating, or ranting, but of taking care of the bodies as well as the souls of people; not an affair of belief and of faith and of professions, but an affair of doing good, and especially to those who are in want; not an affair of fire and brimstone, but an affair of bacon and bread, beer and a bed.
I think a lot of people have the Frank Lloyd Wright model in their brains. The architect comes in with this act of creation and lays it down, and that's it. But that's not me.
And I loved Frank Lloyd Wright. I think he was the greatest man I have ever met in my life.
I haven't any wisdom - just a child like everybody else. I'm not as great as Frank Lloyd Wright.
Dodger Stadium is not an antique. It's not Frank Lloyd Wright. It's a nice place to play baseball, but there are far better.
Titian and Rembrandt, Monet and Rodin, Frank Lloyd Wright and Le Corbusier, Mark Twain and Henry James, Robert Frost and Elizabeth Bishop, to name a few. Twain wrote 'Tom Sawyer' at 41 and bettered it with 'Huckleberry Finn' at 50; Wright completed Fallingwater at 72 and worked on the Guggenheim Museum until his death at 91.
I worked for a newspaper in Europe for, I lived in Europe for about seven years, so I worked in this sort of a yellow journalism kind of a thing, it was like a scandal sheet.
As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace.
What I wanted was some dreamlike Frank Lloyd Wright bungalow where we could sit on the veranda forever and it would always be twilight in the temperate zones, in the most beautiful house.
The great thing about the Guggenheim is that you can see art in the fastest way if you want to. Which isn't bad. It's almost like Frank Lloyd Wright didn't know something called the Internet was going to exist, so he made it so you can go down as fast as possible.
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