A Quote by Nancy Horan

I guess I'm drawn to artists and literary people and want to learn about them. — © Nancy Horan
I guess I'm drawn to artists and literary people and want to learn about them.
I come from a petit bourgeois family, and I've always been drawn to artists and people who choose their own way of life instead of being chosen by the lives that people want for them.
I do find that I'm drawn to people in my life, romantically or not, that have something to teach me. I'm drawn to people who I feel like I can learn from. I'm not really drawn to toxic people - I don't find myself discovering that someone in my life is toxic very often. But there is some sense of being changed by each person that I think I'm drawn to.
Some people are really drawn to technology and I liken them to artists.
It has been a pleasure to play with all these artists. Pretenders was a real highlight, but also Damon, aka Badly Drawn Boy, Sinead... Ian Brown... all of these people I learn from and love to work with.
I always tell people, "There's a book on everyone." I get some of that book before I do anything. If I want to deeply understand someone's reputation, I'll talk to their friends, their former bosses, their peers, and I'll learn a lot about them. I want them to be trusted. I want them to be respected. I want them to give a s - -. Then there are the intangibles: physical and emotional stamina, the ability to confront issues. I can ask all I want about those things, but I also have to see a lot of it.
I've tried to learn as much as I can about the great jazz singers to understand what makes them important, vital artists, but there is always something more to learn.
People who wrote literary novels about the past probably didn't want them pegged as historical fiction. Certainly that was true in England.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
People like to pigeonhole. People like to label - not just books and movies, but everything in their life. If people want to call me 'literary horror,' I guess that's fine. What I'm trying to do is be both thrilling and thought-provoking.
Back in the day, artists could be mysterious. Now, people want to know and hear everything about you. They want to see and feel the mess that is life - and who are bigger messes than artists?
I don't want to be the cranky old guy, but a lot of critics are too forgiving of mediocre artists. When you see these 'American Idol' people on the cover of 'Rolling Stone' being written about as serious artists, there's something wrong with that. You can erase them from the history of rock n' roll, and you wouldn't notice.
I guess I'm drawn to religion because I can be provocative without harming something people really care about, like their cars.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
People expect artists to be too normal, I think. I've been around enough of them now to see that they're very extraordinary human beings who behave differently than ordinary human beings. If they weren't as sensitive as they are, they wouldn't be great artists. They are not the same as us. People should just learn to accept that.
I'm drawn to people who look different. I'm not exploiting. I'm not making fun of them. I'm drawn to them.
Technology is huge; I wanted to learn about it. People might say that's odd, but I think it's odd if artists aren't interested in the world around them. I'm always chasing that.
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