One of the great lessons I learned about historical fiction from writing 'Loving Frank' is that you don't try to disguise what people did; my approach was to try to understand the characters and why they did what they did.
When you're writing historical fiction, you have to think a little farther into the situation: what the average social interactions were, what was acceptable behavior. What did people think was fun, what did they find unhappy, and why?
I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
I try to be self-analytical, both to outline the mistakes I made in my life and try to explain why I did, and the things that on balance I did pretty well on.
When I was very, very young, I decided that I was gonna catalogue my times because that's what other people who I admired did. That's what Bob Dylan did, that's what Frank Sinatra did, Hank Williams did, in very different ways.
I haven't written a word of fiction since 2009. I have no desire to write fiction. I did what I did and it's done. There's more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date.
I think I've learned to be mindful. I may not have taken the time to try to understand narrative techniques, let's say, with any rigor, if I did not also have to try to explain those techniques to someone else.
I didn't try to be a tough guy. I didn't try to be a big mobster. I was who I was. I didn't stop doing what I normally did. I worked out. I lifted weights. I ran. That's what I usually did.
I have no desire to write fiction. I did what I did, and it's done. There's more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date.
The Army will take its lessons learned. They're excellent at looking into themselves and reflecting on what did we do right, what did we do wrong.
Once upon a time, they say, there was a girl...there was a boy...there was a person who was in trouble. And this is what she did...and what he did...and how they learned to survive it. This is what they did...and why one failed...and why another triumphed in the end. And I know that it's true, because I danced at their wedding and drank their very best wine.
One of the main reasons I write fiction is to try to understand what life is like for people other than myself, to try to see the world through my characters' eyes. I often find that I'm able to understand certain emotional truths about my own life by exploring things from different vantages.
The whole purpose of writing a book is to be understood - if other people write about you, they try to guess why you did things, or they hear things from other people.
[Frank Sinatra] was an incredible artist, the best at what he did, but it never occurred to me to model my career after what he did. There was no one I modeled my career after because there was no one else who did what I did.
In case you haven't noticed, people get hard-hearted against the people they hurt. Because they can't stand it. Literally. To think we did that to someone. I did that. So we think of all the reasons why it's okay we did whatever we did.
That's all I did - that's all I ever did - try to do what Billy Strayhorn did.
What Richard and Mildred Loving did was, by their nature, not by any calculus, they separated themselves from the political conversation. They did not have an agenda. They did not want to be martyrs. They did not want to be symbols of a movement.