A Quote by Nancy Juvonen

Making an independent film is so different. — © Nancy Juvonen
Making an independent film is so different.
There was a golden era in film-making in Hollywood back in the 1970s, and although there is some great independent film-making in America, it's actually very hard to get independent films made in the United States. It's much more feasible from Europe.
There's plenty of great independent films to do, but you can't support yourself making independent film as an actress.
Theres plenty of great independent films to do, but you cant support yourself making independent film as an actress.
When you're making an independent film, it's like this actor plus this actor equals this funding, this financing. Pull this actor out, this actor is still here but this money's gone. It's this frightening puzzle mosaic that is the world of independent film.
Locke' is a different way of making a film as well as being a different sort of film.
I believe that independent film making is the last frontier of creative expression available. So I'm always willing to lend a helping hand to a young film maker who's just getting into the business.
Making an independent documentary film is so hard that usually, the usual model is that your film becomes a model for advocacy, so you can enlist that support group and get as much juice out of your film as possible. That's just practically, financially, what you need to do.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
When you are making an independent film, money is never an issue.
It's with pleasure that I'm putting film-making aside. I never enjoyed making films. I didn't like the whole film world - an invented, unreal world whose values are completely different to those I'm used to.
When you're making an independent film, there is no guarantee that anyone is going to see it, ever.
I love good film, whether it's an independent or studio film. The independent films, I think the good ones aren't necessarily eccentric ones but they're the more specific ones.
When you're making an independent film what you don't have in time and money you have to make up with creativity and diligence.
When you're making an independent film and you care about it so much you do all the prep work beforehand.
I want to have the illegitimate child of independent film making and the budget to make it. That's my aspiration.
I mean, I made The Phantom, although The Phantom was, believe it or not, an independent film. It was just a very large, expensive independent film.
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