A Quote by Nancy Kerrigan
People would ask me why I was doing what I was doing - but I always told them that I just loved to skate. There was no other explanation.
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I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.
I've always told people that to be successful you have to enjoy what you're doing and right now I really enjoy what I'm doing. I'm having too much fun with my life. Why would I want to do something else? Why would I want to run for governor?
I would never have been discovered without the X Factor. I was just doing the working men's clubs and I loved doing that. That was the life for me at that time. I never expected to be noticed doing that, that's why I went for X Factor by myself.
All the coverage of skateboarding sucks. They couldn't care less when it comes to how skateboarding is portrayed. All I can do is portray it the right way when it comes to me. So skateboarders can look at what I'm doing and say, "Yeah, the only person doing it the right way is him." That's why Street Dreams was so important in being 100% true to skate culture. That's why the Wild Grinders are important in showing the different styles of street skating. That's why I get involved in building the skate parks. All I can do is show skateboarding the right way.
My job is to show them clearly what they are doing, and what they are doing wrong on the pitch. To help them know why and understand why, even if you prepare and understand the plan, why you are doing always the same mistakes.
Over the years, I was doing what I loved to do, which is my music. But it was always a bit distorted, because I was doing the music in the way other people around me were telling me it should be done.
As an actor, it's always important to understand what the director is after. That, to me, is my job. When I'm acting, I like to ask a lot of questions and understand exactly why the director is doing what they're doing, so that I can provide him or her with the ingredients that they need to get the scene that they want. It's not to challenge them, in any way. It's just so that I can do my job best.
A lot of my inspiration comes from the movies and TV, watching other people doing things that I one day hope to have the opportunity to do. The other sides would be my friends and family, people who have supported me and always been there for me. I want to do a good job for them and show them they were right for believing in me.
I give all the credit to God, he's the one who keeps me healthy and I'm just doing what I'm doing. I love this sport. When I got into it I loved it and I've loved it since I was a young child. I'm one of those fighters that just really loved to fight and I embraced it.
People asked me, 'Why aren't you doing something more important?' When I was doing well in the D-League, they were like, 'Why can't you get an NBA job? Or a college job?' I don't think people thought much of what I was doing. That's fine. I was learning. Not just X's and O's, but team dynamics.
Some people thought I wasn't taking the sport seriously because I was always laughing and having fun, but I loved my skiing, I loved my jumping, and I thought, 'Well, why not have a smile on my face when I'm doing something that I really, really love doing,' and that's how I was.
I had a terrible time hiring rich people. It sounds funny, but the problem is when things go wrong they can ask, 'Why am I doing this?' You don't ever want anybody asking that question. You want them to say, 'I know why I'm doing it, I need the money, let's go' or whatever it is that draws them.
My agent in London told me, after Never Let Me Go, because I loved doing that so much, "If you're on a lucky streak and you're doing well, you should only take a part, if you can't bear the idea of anyone else doing it." That's been the case since then, with Drive and Shame and the play (The Seagull), and the stuff that's going on, like Gatsby. I would have been devastated, if I hadn't gotten those jobs.
[Barack Obama] will spend long periods of time explaining to people why he won't use it. At the end of the explanation, nobody knows why he still won't use it because the explanation is no good. And I mean, honestly we have a president that in my opinion really doesn't know what he's doing.
I've learned to ask people, "You're doing very well so what are you doing? Let me tell other people." So what's made me who I am, my experience.
If I told people that I knew what I was doing, nobody would believe me, so why even try and fake it?
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