A Quote by Nancy Kress

Surreal fiction is a sophisticated art form. Events happen divorced from conventional logic, as events in a dream may happen. But unlike dreams, everything in the story contributes to an overall coherent point, impression or emotion.
Don't demand or expect that events happen as you would wish them do. Accept events as they actually happen. That way, peace is possible.
I tend to avoid melodrama. I try to create very realistic settings and very realistic experiences and realistic responses to these experiences. Melodrama is the use of really big events that may or may not happen in real life - certainly they do, but they're not events that are common to most people. Most of the things that happen in my novels are things that could happen to people in real life.
"Events," I say to the Captain, "events control our lives, although we have no understanding of them nor do they have any motivation. Everything is blind chance, happenstance, occurrence; in an infinite universe anything can happen. After the fact we find reasons.
The telling of stories, like singing and praying, would seem to be an almost ceremonial act, an ancient and necessary mode of speech that tends the earthly rootedness of human language. For narrated events always happen somewhere. And for an oral culture, that location is never merely incidental to those occurrences. The events belong, as it were, to the place, and to tell the story of those events is to let the place itself speak through the telling.
Although the events we appear to perceive in dreams are illusory, our feelings in response to dream content are real. Indeed, most of the events we experience in dreams are real; when we experience feelings, say, anxiety or ecstasy, in dreams, we really do feel anxious or ecstatic at the time.
What is prayer but a wish for the events in your life to string together to form a story -- something that makes some sense of events you know have meaning.
The only way of expressing emotion in the form of art is by finding an "objective correlative"; in other words, a set of objects, a situation, a chain of events which shall be the formula for that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked.
In fiction, you don't invent the events. What is imaginative about it is the consciousness: how you think about the events and how you present them. And that changes the nature of everything, and that is the attraction of writing fiction.
Picking apart a story for its scientific underpinnings doesn't diminish it, it enhances it, makes us dream of the possibilities it proposes. I think appreciating the magic of reality, going from 'can't happen' to 'could happen,' is the fundamental appeal of science fiction.
Noble acts and momentous events happen in the same way and produce the same impression as the ordinary facts.
Don't seek to have events happen as you wish, but wish them to happen as they do happen, and all will be well with you.
It is true that some of my fiction was based on actual events. But the events took place after the fiction was written.
You may not control all the events that happen to you, but you can decide not to be reduced by them.
I think every person has a unique story to tell and we each have the different life events that happen to us and sometimes we may feel sympathetic toward a certain aspect of that life event.
Events don't happen because I write a speech. I am allowed to write a speech because events are going to happen.
Anything can happen in stock markets and you ought to conduct your affairs so that if the most extraordinary events happen, that you're still around to play the next day.
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