A Quote by Nancy Kress

If your reader has been given a rousing opening, he will usually then sit still for at least some exposition. But be sure to follow that chunk of telling with one or more dramatized scenes. That's much more effective than being given section after section of telling.
The writer is driven by his conviction that some truths aren't arrived at so easily, that life is still full of mystery, that it might be better for you, Dear Reader, if you went back to the Living section of your newspaper because this is the dying section and you don't really want to be here.
To me exposition always contains tenderness. While a dramatized scene is a way of proving and guaranteeing an emotional experience for the reader, exposition assumes that the reader is sophisticated and can see the universal.
It's been the greatest gift that I've been given. Because no matter how much my parents have asked me to be more patient, no matter much my husband has asked me to be more patient, none of it mattered until I had a kid. And then all of sudden I was like, "Oh. I have to be more patient." They were all like, "Yeah! We've been telling you that for twenty years!" And I find it to be a gift. Every day I'm more patient.
I shop a lot from the children's section and, sometimes, from the men's section. You'll find skirts, shirts and shoes from the children's section. My friends buy me more adult-like clothes, and I love those. But I cannot do away with the colourful stuff.
The mountain has left me feeling renewed, more content and positive than I’ve been for weeks, as if something has been given back after a long absence, as if my eyes have opened once again. For this time at least, I’ve let myself be rooted in the unshakable sanity of the senses, spared my mind the burden of too much thinking, turned myself outward to experience the world and inward to savor the pleasures it has given me.
What's more condescending and corny than someone telling you how much more money they have than you and telling you basically, 'I don't care about poor people,' which is a large part of what you hear of corporate hip-hop on the radio.
But I keep going on with this sad and hungry and sordid, this limping and mutilated story, because after all I want you to hear it, as I will hear yours too if I ever get the chance, if I meet you or if you escape, in the future or in heaven or in prison or underground, some other place. What they have in common is that they're not here. By telling you anything at all I'm at least believing in you, I believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are.
At the end of the day, you have to make sure you're at least listening to what your head is telling you, what your heart is telling you. That's hard to do when there are a million other people shouting as loud as they can.
Story is about pulling the reader in and a plot is a more externalized mechanism of revelation. A plot is more antic, more performative, and less intimate. When you're telling a story you're telling it into someone's ear.
There are some projects where you have to just start doing it, and, after a while, the show starts telling you what it wants to be. You put your spirit in and, after a while, something bigger takes over, and it turns out to be much more fun and creative than what it was at the beginning.
New Labour has systematically alienated section after section of the coalition we need to win and retain power.
Knowing that a story needs to be told is a great motivator, even if telling a given story comes at a price. Writing Hunger has been the most difficult writing of my life, and it's the rawest and perhaps most necessary. We'll see how people take it. I always strive to write beyond personal catharsis because though I write first and foremost for myself, I do recognize that I need to look outward as much if not more than I look inward, so the reader has something with which they can engage.
Do they think that they have given us great pleasure by telling us that they hold our soul to be no more than wind or smoke, and saying it moreover in tones of pride and satisfaction? Is this then something to be said gaily? Is it not on the contrary something to be said sadly, as being the saddest thing in the world?
By telling you anything at all I'm at least believing in you, believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are. So I will go on. So I will myself to go on.
For the professional writer, stories must be presented as a series of individual scenes, each one dramatized with dialogue and telling descriptions of who is present and what they're all doing.
Rap is the pulsation given by some, usually an electronic rhythm section, without any tonality, and you have someone reading high-school poetry.
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