A Quote by Nancy Mairs

In the grammar of the phallus -- the I, I, I -- [woman] can't utter female experience. — © Nancy Mairs
In the grammar of the phallus -- the I, I, I -- [woman] can't utter female experience.

Quote Author

I'm no great fan of the phallus, and have made my own views known on this subject before, so I do not propose a return to a notion of the phallus as the third term in any and all relations of desire.
In my own writing, I avoid 'female' and try to say 'woman' because I feel that the word 'female' has connotations of not just biology but also non-human mammals. The idea of 'female' to me is more appropriate for a female animal.
No one complains of the rules of Grammar as fettering Language; because it is understood that correct use is not founded on Grammar, but Grammar on correct use. A just system of Logic or of Rhetoric is analogous, in this respect, to Grammar.
What's been fascinating about shooting my series 'American Woman' is the ubiquity of a woman's experience - and no matter who you are: a rockstar, film director, mom - we all are celebrating this movement of female empowerment, but we also realize we have a long way to go.
The creators of kids' media had no idea they were leaving out that many female characters. They were in utter shock that the worlds they were creating were so bereft of female presences.
Quite naturally, scholars assumed that Latin grammar was not merely Latin grammar, but that it was grammar itself. They borrowed it and made the most of it.
The first basic need of a male is sexual fulfillment; for a female, affection. The second most basic need of a male is recreational companionship; for a female, communication and conversation. The third basic need of a male in a relationship is an attractive woman; for a woman, honesty and openness. The fourth basic need of a male is domestic support; for a female, financial support. The fifth basic need of a male is admiration and respect; for a woman, family commitment.
While my work is usually about the Igbo woman experience, there are many aspects of my female characters that women everywhere can and do relate to.
We throw at female artists this expectation that their work has to speak to the female experience. And if it doesn't, you're letting the side down. Throwing this stumbling block in the way of female artists is counterintuitive.
I believe that every English poet should read the English classics, master the rules of grammar before he attempts to bend or break them, travel abroad, experience the horrors of sordid passion, and - if he is lucky enough - know the love of an honest woman.
I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.
There was a very difficult time when a female hero was a man in a woman's body. 'Hunger Games' really changed that: a woman leading a non-woman's film in the action genre. I think 'Wonder Woman' does that on a very big scale.
People who think that grammar is just a collection of rules and restrictions are wrong. If you get to like it, grammar reveals the hidden meaning of history, hides disorder and abandonment, links things and brings opposites together. Grammar is a wonderful way of organising the world how you'd like it to be.
And I think a woman should find it a joy to be female because God made both male and female.
Are we asking terribly much of people to be curious and interested in the female experience from the female perspective?
I think you leave your imprint on every screenplay. I like to bring my experience as a woman to all my female characters that hopefully makes them a little more layered and complex.
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