A Quote by Nancy Pelosi

I would never think of crying about any loss of an office, because that's always a possibility, and if you're professional, then you deal with it professionally. — © Nancy Pelosi
I would never think of crying about any loss of an office, because that's always a possibility, and if you're professional, then you deal with it professionally.
I never even thought about playing professionally. I didn't think that was a possibility for a little kid from Illinois.
I don’t think there is any such thing as an ordinary mortal. Everybody has his own possibility of rapture in the experience of life. All he has to do is recognize it and then cultivate it and get going with it. I always feel uncomfortable when people speak about ordinary mortals because I’ve never met an ordinary man, woman, or child.
Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.
I always say that, I never talked about the NBA, I never talked about anything because I was just playing basketball for fun. I didn't think about being a professional and I didn't even know you could be signed.
It is always tedious when someone tells you that if you don't stop crying, they will give you something to cry about, because if you are crying then you already have something to cry about, and so there is no reason for them to give you anything additional to cry about, thank you very much.
I'm trying to teach my children not to cry. That's the big thing. No crying. Because I think we can all agree that crying is, for the most part, for sissies. If my team loses, I'm going to cry. And I'm going to want my kids to see me crying. Not because I think sports are so important, but because I bet so much money on the game that we'll probably lose the house if my team doesn't win. That's something to cry about.
We cannot create blueprint for future society, but it is good to think about that. It is good to have in mind a goal. It is constructive, it is helpful, it is healthy, to think about what future society might be like, because then it guides you somewhat what you are doing today, but only so long as this discussions about future society don't become obstacles to working towards this future society. Otherwise you can spend discussing this utopian possibility versus that utopian possibility, and in the mean time you are not acting in a way that would bring you closer to that.
Q.Do you have any positive message, in your opinion? A.Indeed I do think that I do. Q.Such as what? A.The crying, almost screaming, need of a great worldwide human effort to know ourselves and each other a great deal better, well enough to concede that no man has a monopoly on right or virtue any more than any man has a corner on duplicity and evil and so forth. If people, and races and nations, would start with that self-manifest truth, then I think that the world could sidestep the sort of corruption which I have involuntarily chosen as the basic, allegorical theme of my plays as a whole.
While I was boxing professionally, I never thought about my looks. The furthest thing from my mind was 'messing up my pretty face' when I was on my way to the ring to meet my opponent. Yet, people I'd meet along the way would always ask me if I was worried about my looks. Then they would go on to say that I was 'too pretty to box.'
I think age is sometimes just a number. But it's a real joy. Young actors don't come with any of the baggage that we load ourselves up with. They're not worried about their profile, they're not worried about how good they look, or all the nonsense. They just tell the story and ask: "What happens in this scene?" Well, I'll do that then. And professionally it's good for you because it means that you're forced to do the same thing, and that's always a good thing.
When I was a kid, I never thought I would ever be able to make records and never really thought seriously about a musical career because a musical career was being Fabian or Frankie Avalon or something. It didn't make any sense. There wasn't any possibility to get into that world.
My comedy is about, lift yourself. See reality. Change the reality if you don't like it. But if you can't, then deal with things as they are because crying about it isn't going to change anything.
I never wanted there to be any moment in my movies when something would happen and the audience would cheer, like sometimes that happens in certain types of horror movies. I was never a fan of that, I wasn't looking for 'inventive' kills and I even hate that word because it's like, if you have these characters screaming or crying in pain I don't think anyone should be jumping out of their seat cheering. It should be horrible and you should feel sick watching it because that's what it is, sick.
I don't think I'd be a party girl [even if I were] in college. When I was in high school, I remember seeing girls crying in the bathroom every Monday about what they did at a party that weekend. I never wanted to be that girl crying in the bathroom. But there are certain things that I would like to do but can't. Sometimes I don't get invited to things because my friends know it's going to be a hassle to take me.
I used to work in a maternity shop when I was at college. But I started baby-sitting in the evenings. I started then to professionally nanny full time, sole charge, when I was 18. I finished college, and then I didn't go on to do anything else. I started to professionally help families, and I chose not to go to training for professional nannies.
Anything is always a possibility. Wouldn't talk about what we would have done or what we would do. Everything is a possibility.
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