A Quote by Nancy Peters
The mood of the '50s is like today.
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I'm in a mood, Dave. A bad mood, a very bad mood! I was fired from my ice cream truck job today! No more Fudgicles!
The thing that you're faulted on today is not that you are too tough, or not that you aren't careful. It's that you might have been too soft. People want that red meat now because you have to keep up with the mood and the mood today is harsh. It really is.
If you'd asked me when I was younger what life would be like in my 50s, I'd probably have imagined someone like my grandmother. I'd have looked like a little old lady who went for a shampoo and set every week. But it's funny - when you get to your 50s it's not like that at all because apart from a few aches and pains, I feel like I'm in my 30s.
Yeah, I didn't grow up in the '50s like Stephen King so I'm more versed in the '80s and the present day than the '50s.
An era that I specifically like is sort of late '50s, early '60s. I guess mid '50s, too. I like these types of films that deal with post-WWII America and this more complex leading man that kind of emerges from that.
I don't go out there and put on any sort of front for people. If I'm in a good mood, I appear in a good mood on TV, and if I'm in a bad mood, I just go out there and look like I'm in a bad mood.
My '50s were different than other people's '50s. The myth didn't permeate our world, 'Donna Reed' and all that. I longed for that, I wanted to be like other normal families on TV.
When I go on the set, I'm so rushed. When I see the actors at rehearsal, when I love it, I want to keep the mood - my mood and the actors' mood also. So I have to push the crew faster. I don't want to lose the mood.
I have no problem telling people I have a great stunt double. I'm not that guy who's like, 'I do all my own stunts.' Like, no, no, no - it's make-believe, and I'm not in the mood to die. I'm not in the mood to get hurt. I have a wife and kids!
There are so many venues in which stars are exposed today, that we just know much more and the studios don't have the control over stars like they used to, in the 30s, 40s, and 50s.
What has mood to do with it? You fight when the necessity arises—no matter the mood! Mood's a thing for cattle or making love or playing the baliset. It's not for fighting.
You can't just turn on creativity like a faucet. You have to be in the right mood. What mood is that? Last-minute panic.
In television, there's no time. You can't walk around and get into the mood. Nobody is going to wait for you. They're like, "Let's go!," and I'm like, "Wait, I haven't gotten in the mood!"
When I grew up in the '60s, we were actually dominated by this, you know, sort of conforming '50s culture, even though we were like trying to express our own culture, like, the dominant culture was the thing that was forming us. And I think that that's true today.
I don't want to make a record like in the '50s or the '60s or the '70s. I want to make a record like today, that`s right now.
I come out before the matches because it's important the fans see I am in a good mood. When I get to the club, my mood is always lifted. You can be in a terrible mood, but once you are at Fulham, you are happy.
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