A Quote by Nancy Sinatra

After things started to happen here, my choice of material was extremely limited. It was a weird situation. — © Nancy Sinatra
After things started to happen here, my choice of material was extremely limited. It was a weird situation.
It's weird how your friends chart things. First it's, 'When are you going to get a job?' Then as soon as things started to happen, it's, 'We're proud of you. You represent us.'
When I first started dating my husband, I had this weird fascination with the circus and clowns and old carnival things and sideshow freaks and all that. About a month after we started dating, he bought me this amazing black-and-white photo book on the circus in the 1930s, and I started sobbing.
For those of us who are lucky enough to not worry about where our next meal is coming from, it can be difficult to consider a life where the choice and supply of what you eat is extremely limited.
You have to edit the material. That assumes that some kind of a mind is operating in relation to the material. Not all minds are the same. Every aspect of filmmaking requires choice. The selection of the subject, the shooting, editing and length are all aspects of choice.
Oftentimes, a funny situation is funny because it's uncomfortable or weird. The most memorable stories, or the stuff that you repeat to your friends, it's not like, "Oh, I had a pleasant day, nothing happened on the bus today." It's when strange things happen, when you become uncomfortable or knocked out of your own reality, those are the things that are interesting.
A lot of times, black people were extremely cool, and that's how we've been commodified in TV and film. But now we're starting to see an upswing of material where we're like, 'It's cool to be quirky and weird and smart.'
The scope of material I can work with is not limited to the set of things that we inherit from nature.
I start with a character and a situation, but I don't know what's going to happen until I write it. Sometimes things happen that surprise me.
There are bombshells that happen in court. Especially when the defense doesn't share discovery of material the way the prosecution does, and so surprises always happen. Things pop out without warning.
It's never really easy to be successful as a writer when you're trying to write literary fiction. You've already limited your readership limited by that choice.
There are three types of people in this world: those who make things happen, those who watch things happen and those who wonder what happened. We all have a choice. You can decide which type of person you want to be. I have always chosen to be in the first group.
I'm always interested in a claustrophobic situation where people might be powerless to do things. My first three novels were all about families. Things that happen in a house within a family, because you're a child or because you want to keep the family together, you suffer things you might not have had to suffer if you weren't in that situation.
I was an average student. I wasn't any standout. I remember when people started to know who I was and the label offers, people started to get a little weird and be weird around me.
What we're always looking for is weird social issues and weird connections to make. Luckily for them, there's no shortage of material.
Material goods consist of useful material things, and of all rights to hold, or use, or derive benefits from material things, or to receive them at a future time.
Perhaps there is no such thing as unilateral power. After all, the man in power depends on receiving information all the time from outside. He responds to that information just as much as he causes things to happen... it is an interaction, and not a lineal situation.
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