A Quote by Nancy Wake

I hate wars and violence but if they come then I don't see why we women should just wave our men a proud goodbye and then knit them balaclavas. — © Nancy Wake
I hate wars and violence but if they come then I don't see why we women should just wave our men a proud goodbye and then knit them balaclavas.
He feared me as many men fear women: because their mistresses (or their wives) understand them. They are scarcely adult, some men: they wish women to understand them, and to that end they tell them all their secrets; and then, when they are properly understood, they hate their women for understanding them.
I hate the term 'arm candy.' But, look, a woman's figure is a beautiful thing, and if she has shapely legs, then she should show them off, because men love to see that. Not just heterosexual men - gay men like to see a woman in her beauty and the shape of her.
Why should I wish to see God better than this day? I see something of God each hour of the twenty-four, and each moment then, In the faces of men and women I see God, and in my own face in the glass; I find letters from God dropped in the street, and every one is signed by God's name, And I leave them where they are, for I know that others will punctually come forever and ever.
I've done movies I'm very proud of, but there's always a sense of: 'Come see this shiny new car!' The question I hate the most is: 'Why should people see it?'
Since we all came from a women, got our name from a women, and our game from a women. I wonder why we take from women, why we rape our women, do we hate our women? I think its time we killed for our women, be real to our women, try to heal our women, cus if we dont we'll have a race of babies that will hate the ladies, who make the babies. And since a man can't make one he has no right to tell a women when and where to create one
Goodbye, Room." I wave up at Skylight. "Say goodbye," I tell Ma. "Goodbye, Room." Ma says it but on mute. I look back one more time. It's like a crater, a hole where something happened. Then we go out the door.
I always like to look at things and think, 'Would I be proud to bring my grandma and grandpa to come see me in this?' And if I wouldn't want them to see it, then it's not something that I should immortalize myself on film in.
It's a shame for women's history to be all about men--first boys, then other boys, then men men men. It reminds me of the way our school history textbooks were all about wars and elections, one war after another, with the dull periods of peace skimmed over whenever they occurred. (Our teachers deplored this and added extra units about social history and protest movements, but that was still the message of the books.)
If women were the equals of men, men would no longer equal themselves. Why then should women resemble what men would have ceased to be?
But if we come back, if German men come back, if British men come back, and Japs, and French, and all the other men, all of us talking, writing, painting, making movies of heroes, and cockroaches and foxholes and blood, then future generations will always be doomed to future Hitlers. It's never occurred to boys to have contempt for wars, to point to soldiers' pictures in history books, laughing at them. If German boys had learned to be contemptuous of violence, Hitler would have had to take up knitting to keep his ego warm.
What you don't want is just to say, 'All showrunners need to be half women and half men,' because then, for men and women, you could get inexperienced people doing those jobs, failing, and then not getting the opportunity to do them again.
When I see young men and old women come out of the closet and face being called faggots and dykes and pariahs and betrayers of the family dream, then I am honored to be gay because I belong to a people who are proud.
Many men I come across see women in an antagonistic way, and it's always the basis for a bad relationship. What I mean by that is men who come with pre-conceived notions that women are trying to tie them down, or hold them back, or that women are shallow, or that women are only attracted to money, or whatever it is.
To confound the tyranny of man there should exist for a century a third sex, both male and female, and stronger than men. This new sex would prove with the lash that men as well as women are made for its pleasure; and then you would hear men protesting against the tyranny of the hermaphrodite sex and admitting that strength should not be the sole rule of right. Just why do they refuse to grant the women the independence which they would demand from the third sex?
In the closed world of the gynaeceum, despite the gardens and parkland extending beyong the horizon, despite the insurmountable walls separating pavillions and palaces, the tangled web of our fate was inescapable. Why did these women love each other to the point of madness? Why did they loathe one another so vehemently, and why did sworn enemies feel such horror and fascination for one another? Why should furious hate become obsession, then intoxication and the very reason to live?Because love and hate were the two heads of the demon.
I knit the afternoon away. I knit reasons for Elijah to come back. I knit apologies for Emma. I knit angry knots and slipped stitches for every mistake I ever made, and I knit wet, swollen stitches that look awful. I knit the sun down.
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