A Quote by Nancy Werlin

You start thinking about a character in a new book, of course you're going to think pretty soon, 'Well, what's their secret? What is their problem?' Maybe, 'What is their secret?' is another way of saying, 'What is their problem?' There's got to be some issue, or you've got a totally boring book!
I write in a very peculiar way. I think about a book for 25 or 30 years in a kind of inchoate way, and at one point or another, I realize the book is ready to be written. I usually have a character, a first line, and general idea of what the book is going to be about.
I've got a passion for solving a problem that I think I can solve in a new way. And that maybe it helps that nobody has done it before as well.
I got to thinking about the Book of Revelation that was written by a Jewish prophet who was also a follower of Jesus who hated the Roman Empire. I realized that the Book of Revelation could be a way to reflect on the issue of religion's relationship to politics.
Every time I got 'Amazing Spider-Man' or 'Fantastic Four' or another book firmly on the rails, we got pulled into some big event book or crossover and it cost momentum and messed badly with the pacing and structure of the book.
One of the things that I love when I go to a film or when I'm reading some book or whatever, is to be told a secret I thought only I knew and then someone says, "Oh my gosh, you know, too." And film can take us into private moments in a way that the theater, I think, kind of can't, and that's one of the reasons I like doing films. And the way a book can is that these little secrets and the private things that go on in our minds that maybe we haven't shared with anyone, and then someone writes it or shows it to you in a film, you think, "Oh, that's me. Oh my God, that's me, I have that secret."
When you write a book, and you argue a problem is complicated and multidimensional, it's very easy to read a slice of that book and say, 'Well, this is the part that either confirms or really challenges my biases, so that's what I'm going to say the entire book is about.'
I have always thought, the secret purpose of the book tour is to make the writer hate the book he's written. And, as a result, drive him to write another book.
I saw an advertisement the other day for the secret of life. It said "The secret of life can be yours for twenty-five shillings. Sent to Secret of Life Institute, Willesden." So I wrote away, seemed a good bargain, secret of life, twenty-five shillings. And I got a letter back saying, "If you think you can get the secret of life for twenty-five shillings, you don't deserve to have it. Send fifty shillings for the secret of life."
It's no secret that me and New York got history. It's no secret. This is no secret. It's already known.
I began thinking there should be an American phrase book, 'cause I've got an Italian phrase book, and an Arabic one... now a British one. I think it'd be pretty good to have an American phrase book.
Egypt's problem is that you've got an economy that works for about 40 million people, only you have 90 million people. The answer to the Egyptian problem is not guns, but jobs. We've got to find a private-sector, nongovernmental, aggressive way of creating jobs. That's not America's role totally.
There are so many people who have lived? and died before you. You will never have a new problem; you're not going to ever have a new problem. Somebody wrote the answer down in a book somewhere.
With 'Red Sonja', it's a single character leading a book although there's a supporting cast, whereas 'Secret Six' is basically six characters who have equal time and equal place in the book, so it's got a team dynamic that 'Red Sonja' doesn't have.
Margaret Cavendish was one of the people who came up in the course. That was when I started thinking about her as a character for a book, but my idea was for a totally different book. It had all these characters in it; Samuel Pepys was one of the main characters. He famously wrote these extensive diaries through the period that are really funny and sort of saucy, actually.
You've got a global food problem. You've got a food problem in the United States. You've got a food problem in Africa... in Asia. And so the truth is, the U.S. is going to have to produce more, on not very many more acres, honestly. And so we're going to have to do a better job.
I know you want me to let you in on some big secret to success in the NBA. The secret is there is no secret. It's just boring old habits.
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