A Quote by Nancy Wilson
The Lovemongers came together because we felt kind of overinflated by the end of the Eighties.
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There was a conflict - the actual putting together of the reality of the situation didn't seem to gel. I'd been doing kind of a slow ballad type of thing on records, but when it came to performing, I felt I was limiting myself.
'Smart Funny & Black' came about because I felt that black comedians were being considered as only capable of a certain type of comedy - sort of physical, kind of silly - and I felt like we are not a monolith, and our comedy isn't, either.
When I left Nashville I went to Texas because that's where I came from, and because I was playing in Texas a lot in different places. And I saw hippies and rednecks drinking beer together and smoking dope together and having a good time together and I knew it was possible to get all groups of people together - long hair, short hair, no hair - and music would bring them together.
Its funny because when I did feel like I came out and I just felt like I was being truthful to myself, (it was at) that point I became very successful. So you know, it took a true kind of facing that truth of myself and being honest, that was when the real kind of fame or whatever that kind of stuff happened for me.
I felt like I was at that breaking point. I just prayed and took my mind off of dreams - I went to church. I felt like a lot of things came together. I'm not perfect but I strive to be.
I would say a magical thing happened on when the big 40th birthday came. I felt like a light kind of just went off, and maybe that's because I felt like at 40 I had the right to say and be who I wanted to be, say what I wanted to say, and accept what I didn't want to accept.
I wanted to be a cool mom. It was hectic. I felt very isolated for a long time, but in the end, it was cool because it helped me and Ninja stick together. If we hadn't, we would have maybe drifted.
When I first came to Washington in the 1960s, even at the height of the Vietnam War, until the end there in '68 there was a certain climate of cooperation. And then in the late sixties and in through the seventies, politics began getting more mean. And then from the eighties on it seemed to be institutionalized, this personal attack business. And I just hate it.
In the middle 1970s an astronomer I admire put together a modest manifesto called "Objections to Astrology" and asked me to endorse it. I struggled with his wording, and in the end found myself unable to sign, not because I thought astrology has any validity whatever, but because I felt (and still feel) that the tone of the statement was authoritarian.
My grandmother, grandfather, my mom - we've always been driven by laughter. It's what held us together. Thanksgivings, any kind of family get-together, we usually end up in tears.
When I came to Los Angeles, it was the first time that I ever felt like I belong somewhere. Not because it was wacky, but because people here understood what I felt like to perform, and there were other kids my age who wanted to do it. I didn't get looked at as God, you freak.
Let us learn together and laugh together and work together and pray together, confident that in the end we will triumph together in the right.
And one day, this thing happened to me: I coughed, and the blood just came gushing out of my mouth. ... I still can't believe that that happened to me, but I sat there, and I said to God, 'Well, if it means I'm going to die, that's OK.' I don't think I've ever felt that same kind of peace, the kind of serenity that I felt after acknowledging that maybe I was going to die of this TB.
I remember, when Paul Collingwood first came into the dressing room, we did everything together. We practised together, trained together, had dinner together; we batted together and did well in games together - we were thick as thieves. When he got established, he just binned me.
I can't tell you how much I love Target and Costco, that kind of culture, because it's something I never felt a part of. I've always felt like a tourist because I have never fit in anywhere.
I came out to L.A. in '78 to be a musician. I didn't get into comedy until the mid-Eighties.
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